Hear ye, hear ye: commence the discussion of things which have not been discussed.
As usual, if a discussion gets particularly good, spin it off into a posting.
(For this Open Thread, I'm going to try something new: priming the pump with a few things I'd like to see discussed.)
Yes. No. No. No.
Hell no. I have a completely unbroken track record of hating every single book that I have ever read for the first time as a class assignment, and have never found that a book I already liked was improved by this kind of dissection.
Not one bit! I have mostly become a better writer by learning related skills (I was allowed to make up my own second major in undergrad, and therefore literally have a degree in worldbuilding), practicing, and emulating the good parts of what I read. I now have to turn off my critical faculties entirely to enjoy any works of fiction at all, even those that are overall very good, because detecting small flaws in their settings, characterization, handling of social issues, dialogue, use of artistic license, etc. will throw off my ability to not fling the book at a wall. Works that aren't overall good turn on said critical faculty in spite of my best efforts. I can barely have a conversation about a work of fiction anymore without starting to hate it unless I'm just having a completely content-free squee session with an equally enthusiastic friend!
I guess I'm a mutant?
Although I have never read an entire Dostoevsky novel (my reading list is enormous and I haven't gotten around to it), I have really liked the excerpts I've read - immediately, without having to work for it. This is why I plan to read more of his stuff when I get around to it. I've never tried any Tom Clancy. Is he worth reading?
Maybe this is just my idiosyncrasy, but I think making the reader work hard when this isn't absolutely necessary - in fiction, nonfiction, or anything else - is a failure of clarity, not a masterstroke of subtlety. This isn't to say that you can't still have a good work that makes the reader do some digging to find all the content, but that's true of any flaw - you can also have a good work with a kinda stupid premise, or with a cardboard secondary character, or that completely omits female characters for no good reason, or has any of a myriad of bad but not absolutely damning awfulnesses.
Maybe I'm the mutant. I know that your reaction is very common, but I attribute it to either the result of bad teaching and/or students being forced against their will to do something that they will therefore be very likely to hate. When I have been in classes with smart, passionate teachers, and the students were there becau... (read more)