Richard Hollerith pointed out that the very same reasoning can apply to symphonies, thereby showing your reasoning to lead to invalid results.

I see now that I didn't want to dodge matters because of the "pun", I just tried to use that as an excuse. I wanted to dodge this question because "symphonic music" is, for the purposes of an ontological discussion, ambiguous in its reference and introduces much unnecessary new complexity however you interpret it.

I made the assertion that conscious experience - what happens in the mind of one individual at one time - is not made up of spatial parts. Richard said, I could say the same of symphonic music, do you think it can't be reduced to physics either. Well, first of all, what do we mean by symphonic music? Do we mean all the physical performances ever made by the symphonies of the world? Do we mean the experience of the listeners who hear those symphonic performances? Do we mean the abstract specification of a symphony, which those concrete performances attempt to follow? These are all very different things ontologically, their analysis into parts is going to be different, and the analogy/disanalogy with consciousness is also going to be different. It's one big distraction, I instinctively tried to dodge it, you pinned me down, so there's what I should have said to Richard to begin with.

you keep finding distinctions that you "should have made" before -- yet you're sure that there's a flaw with the existing methods used here. This, despite all the time you've spent on the issue. If correct, you should be able to communicate the idea a lot better than you have been. If the issue's as important as you make it out to be, surely a little more effort on your part is justified when you make top-level posts.

What can I say ... I have refrained for years from talking about this stuff at any length, because I didn't have it all figured out, and I still don't, and simply pointing out the flaws of physicalist orthodoxy changes nothing. On this occasion I have tried the more affirmative approach of introducing a concrete alternative, and I am being induced to bring out extra details as the discussion proceeds. I did not know in advance where the focus would be.