SilasBarta comments on Bizarre Illusions - Less Wrong

11 Post author: MrHen 27 January 2010 06:25PM

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Comment author: SilasBarta 28 January 2010 08:06:12PM *  1 point [-]

Definitely related: Truly Part of You

If I erased your knowledge (and everyone else's) of what the kewl kids had classified as "good art", would it grow back? Would you eventually re-recognize the same works as being good, with the same relative merit, for the same reasons?

If your answer is no, that's a big red flag that you're dealing in bullshit.

(The correct reaction to the parable of The Emporer's New Clothes is not, "Well of course a kid isn't going to see the clothes! What's your point?")

Comment author: MrHen 28 January 2010 09:48:14PM 2 points [-]

If I erased your knowledge (and everyone else's) of what the kewl kids had classified as "good art", would it grow back? Would you eventually re-recognize the same works as being good, with the same relative merit, for the same reasons?

I imagine that the answer to this is yes for a great deal of art. I don't know much about it myself, but when I think about art that I like I can find reasons aside from cultural significance or peer pressure.

This assumes the question is ignoring the lens created by my limited expose to art. I highly doubt that any of the artists I like would have been experienced by me if others hadn't considered them worthwhile.

Music is an easier analogy for me to make. I can more accurately describe what I like in music because I know a few more terms. But also, when I listen to a song, I find that my opinions are more distinct. I assume this is because my tastes are becoming refined; I am open to other interpretations.

Comment author: bgrah449 28 January 2010 08:20:10PM 2 points [-]

That's not related.

If you took away everyone's knowledge of English, and someone laid King Lear at your feet, what would you do with that? The fact that art is rooted in culture and context, some of which is the result of stochastic processes, does not mean you're dealing in bullshit.

Comment author: mattnewport 28 January 2010 08:37:27PM 3 points [-]

I would be very surprised to discover that a King Lear in an unfamiliar language had been produced by an ape. I am not surprised by hoaxes like this. I think that is indicative of a meaningful difference.

Comment author: RobinZ 28 January 2010 09:51:46PM *  1 point [-]

From the link:

After Peter had created a number of paintings, Axelsson chose what he considered to be the four best and arranged to have them exhibited in an art show at the Christina Gallery.

Emphasis added to indicate flaw in experimental protocol.

Edit: This point is much weaker than it appears at first glance. See responses.

Comment author: mattnewport 28 January 2010 10:03:00PM 1 point [-]

I would still be surprised if the monkey King Lear was chosen as the very best of the monkey's literary oeuvre.

Comment author: RobinZ 28 January 2010 10:06:23PM 0 points [-]

Yeah, you're right - odds of a monkey producing a King Lear to choose are quite low.

Comment author: MrHen 28 January 2010 09:57:37PM 1 point [-]

Yeah, I noticed that too. I felt that it was still a valid test of critics' ability to interpret art considering that most artists will do the same thing with their collection before entering an exhibition.

Comment author: RobinZ 28 January 2010 10:01:39PM 0 points [-]

And, on reflection, selection is a very weak form of optimization.

Comment author: bgrah449 28 January 2010 08:45:51PM 0 points [-]

That's a far cry away from "eventually re-recogniz[ing] the same works as being good, with the same relative merit, for the same reasons."

Comment author: mattnewport 28 January 2010 08:49:43PM 0 points [-]

Erasing everyone's knowledge of English is a far cry from erasing their knowledge of "what the kewl kids had classified as 'good art'".

Comment author: bgrah449 28 January 2010 09:07:58PM 0 points [-]

? Was this supposed to be a separate reply to my earlier comment? I think it brings up a valid point, but looks a bit like a non-sequitur where it's at now.

Comment author: mattnewport 28 January 2010 09:12:56PM 0 points [-]

It's a reference to that earlier comment, which is its great-grandparent, but also a direct reply to its parent. I think it makes sense if you read the full thread.

Comment author: SilasBarta 28 January 2010 08:44:28PM 1 point [-]

But it does mean that the writing of King Lear is less of an epistemic achievement than, say, the laws of physics, which are not dependent on a particular species' form of communication.

If King Lear is (claimed to be) a good work, given a certain language (humanity? evolutionary history? political history?), does the recognition of its supposed greatness survive deletion of the knowledge about what the kewl kids think is great?

If people continued to speak English, but King Lear fell out of fashion and later was found, but disconnected from anyone's recommendation, would people still decide it was better than most other works? Would they decide it for the same reason?

Do children spontaneously flock to King Lear at a certain age, even when it's not recommended to them by a True Literary Authority?

Comment author: wedrifid 28 January 2010 08:49:32PM 0 points [-]

If King Lear is (claimed to be) a good work, given a certain language (humanity? evolutionary history? political history?), does the recognition of its supposed greatness survive deletion of the knowledge about what the kewl kids think is great?

Of course not. It doesn't even come with 3D special effects!

Comment author: thomblake 28 January 2010 08:16:28PM 0 points [-]

If your answer is no, that's a big red flag that you're dealing in bullshit.

I seriously doubt that the correct answer is "no".

Obviously, there would be a little bit of wobble - I might not care who Pollock is, but I expect there would be something else I'd find that would illuminate the same aspects of the aesthetic experience. But I think being the first to do it that way counts for something.

Thanks for the link - I read that article a while ago, but I hadn't realized Drew had been referenced here.

Comment author: SilasBarta 28 January 2010 08:36:23PM *  2 points [-]

Sorry, all I got out of that was a name-drop and (what seemed like) a dodge.

Could you answer again, and this time maybe explain it a little differently? Specifically:

-Are you claiming that Pollock discovered a way of satisfying the aesthetic senses that allowed generalization of the method in other forms?

-Let's say I knew a wacko who believed that "By historical accident, Pollock became a focal point for people of high-status to identify each other, despite there being nothing special about his work." What evidence would you point me to that has a low Bayes factor against that hypothesis?

Comment author: thomblake 28 January 2010 09:07:47PM 1 point [-]

I'm claiming that Pollock's work demonstrated easily-neglected and valuable parts of the aesthetic experience.

As for evidence against that hypothesis, I think that depends largely upon how seriously you take some of the relevant premises in your wacko's model. According to some, there is virtually nothing to all of culture other than status games (though in this case the clause "despite there being nothing special about his work" would make little sense). According to others, there really is quite a bit to aesthetics, and perhaps it's worth listening to the folks who've spent their lives studying it.

There are a lot of different kinds of things in the world, and many of them are valuable in unexpected ways.

Comment author: SilasBarta 28 January 2010 09:28:01PM *  1 point [-]

So you really can't think of anything that is less likely to be observed if "it's all bullshit" than if it's not? There isn't any kind of aesthetic feeling you could feed to the wacko that he couldn't help but burst out in appreciation for?

As for evidence against that hypothesis, I think that depends largely upon how seriously you take some of the relevant premises in your wacko's model.

Not when I'm asking for evidence with a low Bayes factor, rather than a guaranteed low posterior.

Maybe an example would be in order. Let's say Bob is the wacko, but about quantum physics. Bob believe that the claims of quantum physics are just a big status game, and so are the results of the particle accelerators and everything. I could point to evidence like the atom bomb. If they were just arguing over meaningless crap the whole time, and assigning truth purely based on who has the most status, how did they ever get the understanding necessary to build an atom bomb, Bob?

There are a lot of different kinds of things in the world, and many of them are valuable in unexpected ways.

Right, like Halo. Except that millions of people like Halo even in the absence of a well-funded indoctrination campaign, and the fact that expressing appreciation for Halo won't endear them to the kewl kids of art.

It's not very impressive if people start to enjoy something after they've

spent their lives studying it.

You have to adjust for stuff like that.

Comment author: bgrah449 28 January 2010 09:09:51PM 0 points [-]

Well said!

Comment author: thomblake 28 January 2010 09:25:04PM 1 point [-]

I just realized we seem to be arguing over wine again. I fold.

Comment author: SilasBarta 28 January 2010 09:34:15PM *  1 point [-]

Yes, we are.

If you spend ten years associating wine with a good time, and are expected to have a refined palette for wine to be part of the kewl kids club, then guess what -- you can make yourself like wine! The fact that you like wine in such a scenario does not, to me, count as a genuine liking, in the sense in which I judge beverages. Any substance, even bat urine, will find connosieurs under those conditions!

What I want to do is, find out what's good about something, that isn't simply an artifact of practices that can make anything look good.

That's why I'm not impressed by "enjoy this because people are telling you to enjoy it", which the support for much high art and alcohol amounts to.

Instead of refusing to engage the issue, maybe you should start to think about the recursivity of your criteria for quality?

Comment author: bgrah449 28 January 2010 09:49:27PM 1 point [-]

What I want to do is, find out what's good about something, that isn't simply an artifact of practices that can make anything look good.

This seems exceedingly arbitrary. The exact evolutionary processes that made ice cream taste good gave rise to the connoisseur phenomenon. Our ability to "predict" evolution and make something "taste like victory" doesn't make enjoyment of those things less real, let alone less "good."

Besides, we could keep following this rabbit hole to the end of time. What makes it enjoyable for you to not succumb to the trends of status? Why is the good-feeling reward that gives you better than the good-feeling reward that some other activity gives someone else?

Comment author: SilasBarta 28 January 2010 10:02:37PM *  3 points [-]

So wait -- are you conceding that art is just about signaling that you like whatever-high-status-people-like? Or that "you will get higher status for saying you like this" is a valid reason to judge a work as being art?

This seems exceedingly arbitrary. The exact evolutionary processes that made ice cream taste good gave rise to the connoisseur phenomenon. Our ability to "predict" evolution and make something "taste like victory" doesn't make enjoyment of those things less real, let alone less "good."

It matters for the same reason the placebo effect matters. Pills can make you better, merely by virtue of believing they'll make you better. But, for a rigorous science of curing people, we want to know what makes people get better even more reliably than just believing they will.

Likewise, there are practices that can make people like something. But there's no point to saying, "Hey, after this practice, people like it!" That conveys no information -- it's true for everything. Like with placebo cures, I want to know what is good above and beyond that that results from standard "make something seem good" tricks.

And there is a difference: I liked chocolate before I knew what anyone thought about it. In contrast, very few people liked alcohol before they found social or non-taste reasons to drink it.

If all you care about is the final level of liking, why not spend all this effort making yourself like healthy foods? And why the broad reluctance for people to admit, "okay, wine is really just about showing off status"? Why do I have to pry teeth to get anyone to talk about this?

Comment author: Unknowns 29 January 2010 03:09:44PM 3 points [-]

The reason people are reluctant to admit it is because you are simply wrong. I like beer better than wine, even though wine has higher social status and greater psychological effects. I would drink beer in private if it had the same taste but no alcohol, and I would definitely prefer it to a milkshake, on taste alone.

What makes you so reluctant to admit that some people might have different tastes from you?

Comment author: SilasBarta 29 January 2010 04:14:55PM -1 points [-]

What makes you so reluctant to admit that some people might have different tastes from you?

The investigation documented here led me to reject that initial, more obvious and probable theory.

Comment author: Unknowns 29 January 2010 05:14:49PM *  1 point [-]

My question was somewhat rhetorical, in response to your "Why the broad reluctance..."

In fact I read through the thread that you link to and found it quite unpersuasive.

It's true it's somewhat surprising that so many people said they preferred the taste of milkshake. But in reality that's partly a question of context. If you're comparing the taste of sweet things with the taste of non-sweet things, it can depend on what you feel like at the moment. Sometimes you have a desire for sugar, sometimes you don't.

Comment author: bgrah449 28 January 2010 10:53:47PM 1 point [-]

I made my main point in the other comment, and I don't want to include these two comments together because I don't want the other to be ignored, but health is an objective measure, whereas pleasure is not.

First of all, I think you're ignoring that there are some practices that, despite making some people like an activity, will not make other people like the activity - i.e., that placebo will work on some people, but not other people, so to that extent, there is something marginally "real" (under your definition) there.

I understand what you mean very much; I've spent a ridiculous amount of time thinking about it over the past decade. Cognitive dissonance seems like a weak trait when you notice it in someone else, either to change your values to dislike the inaccessible or the reverse, to change your values to like the accessible.

But why? I tend to like things I'm better at than most of the people I know, like math and arguing and pointing out other people's cognitive dissonance. Why should I expect other people to be any different?

In the end, the "liking" part is really, like you pointed out, liking the taste of status more than the taste of alcohol. But I enjoy spicy food, despite not liking it originally, either. I didn't like hip-hop, but I figured there must be something there that attracts so many people; now I like some. I didn't like a bunch of popular TV shows, but I didn't want to assume that all the ways I'm different from people who did like those TV shows were ways I was better; what if they were ways I was worse? So I watched a bunch of them. Most of them still suck, but I found I like House and Big Love, despite thinking beforehand only idiots could like those shows.

I agree with you to some extent - if I have to have someone telling me I'm cool for me to enjoy it, I don't want to partake. But that's not because it's less "pure," it's because I've done activities like that before and it's not fun not being in control of when I can enjoy myself.

I have been telling people for years that the difference between people who like alcohol and people who don't is that the people who don't didn't have a peer group to pressure them to drink their first 5 beers. That's true with me and with almost everyone I know (although there are some who claim they liked beer right away, and I even believe a few of them).

But now even when I'm alone, do I enjoy having a beer and relaxing? Yes, very much. Would I like beer if it weren't for the alcohol's effects of relaxing me? Probably not, no. But that doesn't change that the alcohol has changed how much I enjoy the taste of beer, because now it actually tastes good. That doesn't seem disingenuous to me. I don't experience the enjoyment any less, so it's hard for me to discredit it due to the fact that the way I got to that point was through trying to not look stupid to my friends when they gave me a beer for the first time.

Comment author: MrHen 28 January 2010 10:06:41PM 1 point [-]

Likewise, there are practices that can make people like something. But there's no point to saying, "Hey, after this practice, people like it!" That conveys no information -- it's true for everything. Like with placebo cures, I want to know what is good above and beyond that that results from standard "make something seem good" tricks.

Is it fair to say that you are looking for a way to predict "good" art before it enters the cultural status stream?

Comment author: SilasBarta 28 January 2010 10:49:48PM *  0 points [-]

Not in the sense that I want to predict the next big thing.

What I'm looking for is, what portion is due to actual merit of the artwork, that people would appreciate even in the absence of others pressuring them to like it, or the signaling effects of displaying it to others?

I have often focused on scenarios where you can get a judgment before cultural effects interfere, but these aren't strictly necessary. Like with the placebo example I keep giving, there are ways to see what is due to some effect that will make anything look good, and what effect is due to the actual merit. The hoaxes that others have referenced are good examples of this.

Does that answer your question?

Comment author: MrHen 28 January 2010 11:20:45PM *  0 points [-]

Yes, this does answer my question.

The followup question: How useful is being able to identify "bad" art? Is it a step toward the same direction of identifying merit?

(Good and bad as I am using it means value from actual merit and ignores all peer pressure or signaling effects.)

Comment author: bgrah449 28 January 2010 10:11:49PM *  0 points [-]

My point is that it doesn't matter if it's about signaling or not. Quests for status pervade every aspect of human life and are inescapable. These people believe what they believe and get upset when you bring it up for the same reason that you will object if I said you're only interested in pointing out their status-questing for your own status-questing. "I don't care about status" is everyone's conceit.

EDIT: Just to expand on this a little bit - I'm saying that the desire to point out their cognitive dissonance is motivated by status, as well, and that further, neither of these is worse than the other when rating by sincerity or honesty.

Comment author: SilasBarta 28 January 2010 10:35:21PM *  6 points [-]

My point is that it doesn't matter if it's about signaling or not. Quests for status pervade every aspect of human life and are inescapable.

Yes, and the placebo effect in cures is inescapable. But there's still a part of the cure that is due to genuine biochemical effects from the medicine rather than the belief that it will work.

Likewise, I want to know the portion of art -- and alcohol -- that is due to more than just those things that could rook anyone into liking them. If, as it seems, in many cases, there is no such portion -- if it's all about being conditioned to like it in a way that could work for bat urine -- then I don't consider those things good, and I wish people would stop putting on the pretense that they are.

Science passes this test with flying colors: no amount of phony, meaningless papers by status jockeying scientists and engineers is going to get an airplane off the ground (without ripping apart) or an extremely powerful bomb to go off. The buck stops somewhere. Where does the art buck stop? Where does the drink quality buck stop?

These people believe what they believe and get upset when you bring it up for the same reason that you will object if I said you're only interested in pointing out their status-questing for your own status-questing. "I don't care about status" is everyone's conceit.

Yes, that would explain why someone's won't say to my face the real reasons they drink. But in an online discussion with 90% anonymous handles: what's holding them back?

Just to expand on this a little bit - I'm saying that the desire to point out their cognitive dissonance is motivated by status,

That may be a part of it. But read the link thomblake gave to my earlier thread: I was experiencing really weird data. People seemed to be experiencing the same internal state as me, but using different labels for it.

Comment author: Unknowns 29 January 2010 03:22:06PM 3 points [-]

"But in an online discussion with 90% anonymous handles: what's holding them back?"

Once again, this is simply very strong evidence that you are wrong. The reason people are insistent is because they happen to know what they like.

Comment author: bgrah449 28 January 2010 11:04:25PM *  4 points [-]

The buck stops with you, because art isn't a competition. Maybe it is for the artists, but not from your end - it's just what you enjoy.

I have a copy of a painting hanging in my living room that I won't name here, but it's very popular and famous (and therefore kind of stupid to have hanging in my living room, because it doesn't really show off my taste as refined). But I get a lot out of it. I love looking at it.

If an art student came in and wanted to try to condescend to me about my taste in art, what could I do? I'd look at him and say, "This painting does for me what art is supposed to do for people. I don't have the time or energy to devote to refining my taste. I admit your taste in art is more refined and you might get more out of a Picasso than I do, because I don't get much."

If he still wants to look down his nose at me, who gives a shit? Get out of my house, right? But I think the true art-lover will say, "I'm glad you experience something that's so meaningful to me, even if your taste is blunter and cruder than mine."

I think this is analogous to if the art student came to me and said, "I never realized how cool the Pythagorean theorem is before. It's amazing." Do I look at him and say, "Wow, you're an idiot"? I would hope not; I would hope to think to myself, "Well, it's a start," and say, "Right?!"

ETA: I'd be calling him an idiot because he's only getting it now, and not back when he learned it for the first time in high school and I realized how cool it was.