thomblake comments on Bizarre Illusions - Less Wrong
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I just realized we seem to be arguing over wine again. I fold.
Yes, we are.
If you spend ten years associating wine with a good time, and are expected to have a refined palette for wine to be part of the kewl kids club, then guess what -- you can make yourself like wine! The fact that you like wine in such a scenario does not, to me, count as a genuine liking, in the sense in which I judge beverages. Any substance, even bat urine, will find connosieurs under those conditions!
What I want to do is, find out what's good about something, that isn't simply an artifact of practices that can make anything look good.
That's why I'm not impressed by "enjoy this because people are telling you to enjoy it", which the support for much high art and alcohol amounts to.
Instead of refusing to engage the issue, maybe you should start to think about the recursivity of your criteria for quality?
This seems exceedingly arbitrary. The exact evolutionary processes that made ice cream taste good gave rise to the connoisseur phenomenon. Our ability to "predict" evolution and make something "taste like victory" doesn't make enjoyment of those things less real, let alone less "good."
Besides, we could keep following this rabbit hole to the end of time. What makes it enjoyable for you to not succumb to the trends of status? Why is the good-feeling reward that gives you better than the good-feeling reward that some other activity gives someone else?
So wait -- are you conceding that art is just about signaling that you like whatever-high-status-people-like? Or that "you will get higher status for saying you like this" is a valid reason to judge a work as being art?
It matters for the same reason the placebo effect matters. Pills can make you better, merely by virtue of believing they'll make you better. But, for a rigorous science of curing people, we want to know what makes people get better even more reliably than just believing they will.
Likewise, there are practices that can make people like something. But there's no point to saying, "Hey, after this practice, people like it!" That conveys no information -- it's true for everything. Like with placebo cures, I want to know what is good above and beyond that that results from standard "make something seem good" tricks.
And there is a difference: I liked chocolate before I knew what anyone thought about it. In contrast, very few people liked alcohol before they found social or non-taste reasons to drink it.
If all you care about is the final level of liking, why not spend all this effort making yourself like healthy foods? And why the broad reluctance for people to admit, "okay, wine is really just about showing off status"? Why do I have to pry teeth to get anyone to talk about this?
The reason people are reluctant to admit it is because you are simply wrong. I like beer better than wine, even though wine has higher social status and greater psychological effects. I would drink beer in private if it had the same taste but no alcohol, and I would definitely prefer it to a milkshake, on taste alone.
What makes you so reluctant to admit that some people might have different tastes from you?
The investigation documented here led me to reject that initial, more obvious and probable theory.
My question was somewhat rhetorical, in response to your "Why the broad reluctance..."
In fact I read through the thread that you link to and found it quite unpersuasive.
It's true it's somewhat surprising that so many people said they preferred the taste of milkshake. But in reality that's partly a question of context. If you're comparing the taste of sweet things with the taste of non-sweet things, it can depend on what you feel like at the moment. Sometimes you have a desire for sugar, sometimes you don't.
Did you read it all? It wasn't just the milkshake comparison. It was the fact that, if you ignore the question "do you like alcohol?" and simply ask about the supposed implications of liking alcohol, my answers match up with everyone who claimed to like alcohol. Yet I characterize my state as "not liking alcohol", while others characterize it as the reverse.
See the checklist.
Again, the point is to subtract away the influence of factors that can make you like anything. If applejuice made me happy and killed my usual inhibitions, I'd "like it". I might even get over the taste. I might even show off my pickiness about which apples must be used before I will consider to drink it.
But this is a HUGELY different sense of liking than exists for a milkshake. Or milk. Or smoothies. Or mocha peppermint frappucinos. Or any of the other things that I didn't have to consume many, many times to finally decide I like the taste of.
The checklist doesn't seem very strong evidence to me:
"-Think milkshakes are better tasting than the best alcoholic drink." I don't think this. And even for people who do, many people like the taste of some things more than others, without disliking the taste of the latter.
"-Enjoy the taste of alcoholic drinks when it is drowned out with some other flavor." Sure, if it's a good flavor. But I also enjoy the taste of the alcoholic drinks when it isn't drowned out at all.
"-Believe it changes our mental states in a good way." Possibly, but this doesn't show that it wouldn't taste good without this effect.
"-Could not comfortably chug down a alcoholic drink the way we might a milkshake." I think this happens with strong drinks because the alcohol causes a coughing reflex, not because of the taste. But I can definitely drink a beer comfortably just as fast as a milkshake, and I can do the same with wine if a little water is added (and it still tastes like wine, indicating that it isn't a question of taste.)
Okay, I hope statements like this show what I'm dealing with on this topic. We have substances that provoke the choking reflex in people, as your body protests against this substance entering you, just as it would for toxic smoke, cleaning fluid, and engine oil, and yet people casually ignore that and say with a straight face, "oh, what a pleasure it is for me to drink this delicious beverage! Why would not others so enjoy it?"
I completely agree with you about wine tasting specifically. But there are those of us who actually like the taste of some alcoholic drinks, even without the psychological effects, signaling, or need to acquire the taste. It doesn't look like your answers match up with that.
I made my main point in the other comment, and I don't want to include these two comments together because I don't want the other to be ignored, but health is an objective measure, whereas pleasure is not.
First of all, I think you're ignoring that there are some practices that, despite making some people like an activity, will not make other people like the activity - i.e., that placebo will work on some people, but not other people, so to that extent, there is something marginally "real" (under your definition) there.
I understand what you mean very much; I've spent a ridiculous amount of time thinking about it over the past decade. Cognitive dissonance seems like a weak trait when you notice it in someone else, either to change your values to dislike the inaccessible or the reverse, to change your values to like the accessible.
But why? I tend to like things I'm better at than most of the people I know, like math and arguing and pointing out other people's cognitive dissonance. Why should I expect other people to be any different?
In the end, the "liking" part is really, like you pointed out, liking the taste of status more than the taste of alcohol. But I enjoy spicy food, despite not liking it originally, either. I didn't like hip-hop, but I figured there must be something there that attracts so many people; now I like some. I didn't like a bunch of popular TV shows, but I didn't want to assume that all the ways I'm different from people who did like those TV shows were ways I was better; what if they were ways I was worse? So I watched a bunch of them. Most of them still suck, but I found I like House and Big Love, despite thinking beforehand only idiots could like those shows.
I agree with you to some extent - if I have to have someone telling me I'm cool for me to enjoy it, I don't want to partake. But that's not because it's less "pure," it's because I've done activities like that before and it's not fun not being in control of when I can enjoy myself.
I have been telling people for years that the difference between people who like alcohol and people who don't is that the people who don't didn't have a peer group to pressure them to drink their first 5 beers. That's true with me and with almost everyone I know (although there are some who claim they liked beer right away, and I even believe a few of them).
But now even when I'm alone, do I enjoy having a beer and relaxing? Yes, very much. Would I like beer if it weren't for the alcohol's effects of relaxing me? Probably not, no. But that doesn't change that the alcohol has changed how much I enjoy the taste of beer, because now it actually tastes good. That doesn't seem disingenuous to me. I don't experience the enjoyment any less, so it's hard for me to discredit it due to the fact that the way I got to that point was through trying to not look stupid to my friends when they gave me a beer for the first time.
Is it fair to say that you are looking for a way to predict "good" art before it enters the cultural status stream?
Not in the sense that I want to predict the next big thing.
What I'm looking for is, what portion is due to actual merit of the artwork, that people would appreciate even in the absence of others pressuring them to like it, or the signaling effects of displaying it to others?
I have often focused on scenarios where you can get a judgment before cultural effects interfere, but these aren't strictly necessary. Like with the placebo example I keep giving, there are ways to see what is due to some effect that will make anything look good, and what effect is due to the actual merit. The hoaxes that others have referenced are good examples of this.
Does that answer your question?
Yes, this does answer my question.
The followup question: How useful is being able to identify "bad" art? Is it a step toward the same direction of identifying merit?
(Good and bad as I am using it means value from actual merit and ignores all peer pressure or signaling effects.)
Very useful: in the future, we want to have machines that can make the same (peer-pressure-free) art classifications that humans would, so they can pop out art themselves. Bad art is nearly as useful as good art in helping to train such a machine and identify the algorithms humans use to make these judgments.
But when the field of art has been corrupted to the point where it's just a pure status game, there is no such classifier that can be learned. The only machine you're going to be making is one that looks human, and hobnobs its way up the social ladder so that it can learn what the elites think, and render judgments in that way.
(I made the same critique about some Japanese researchers' quixotic attempt to build a machine that determines how much humans will like a given wine, based on chemical analysis. Hey guys -- it ain't the chemical composition of a wine that makes people like it!)
Cool. Yeah, I pretty much agree with everything here and don't have anything to add. I think this comment nails the subject on the head.
My point is that it doesn't matter if it's about signaling or not. Quests for status pervade every aspect of human life and are inescapable. These people believe what they believe and get upset when you bring it up for the same reason that you will object if I said you're only interested in pointing out their status-questing for your own status-questing. "I don't care about status" is everyone's conceit.
EDIT: Just to expand on this a little bit - I'm saying that the desire to point out their cognitive dissonance is motivated by status, as well, and that further, neither of these is worse than the other when rating by sincerity or honesty.
Yes, and the placebo effect in cures is inescapable. But there's still a part of the cure that is due to genuine biochemical effects from the medicine rather than the belief that it will work.
Likewise, I want to know the portion of art -- and alcohol -- that is due to more than just those things that could rook anyone into liking them. If, as it seems, in many cases, there is no such portion -- if it's all about being conditioned to like it in a way that could work for bat urine -- then I don't consider those things good, and I wish people would stop putting on the pretense that they are.
Science passes this test with flying colors: no amount of phony, meaningless papers by status jockeying scientists and engineers is going to get an airplane off the ground (without ripping apart) or an extremely powerful bomb to go off. The buck stops somewhere. Where does the art buck stop? Where does the drink quality buck stop?
Yes, that would explain why someone's won't say to my face the real reasons they drink. But in an online discussion with 90% anonymous handles: what's holding them back?
That may be a part of it. But read the link thomblake gave to my earlier thread: I was experiencing really weird data. People seemed to be experiencing the same internal state as me, but using different labels for it.
"But in an online discussion with 90% anonymous handles: what's holding them back?"
Once again, this is simply very strong evidence that you are wrong. The reason people are insistent is because they happen to know what they like.
The buck stops with you, because art isn't a competition. Maybe it is for the artists, but not from your end - it's just what you enjoy.
I have a copy of a painting hanging in my living room that I won't name here, but it's very popular and famous (and therefore kind of stupid to have hanging in my living room, because it doesn't really show off my taste as refined). But I get a lot out of it. I love looking at it.
If an art student came in and wanted to try to condescend to me about my taste in art, what could I do? I'd look at him and say, "This painting does for me what art is supposed to do for people. I don't have the time or energy to devote to refining my taste. I admit your taste in art is more refined and you might get more out of a Picasso than I do, because I don't get much."
If he still wants to look down his nose at me, who gives a shit? Get out of my house, right? But I think the true art-lover will say, "I'm glad you experience something that's so meaningful to me, even if your taste is blunter and cruder than mine."
I think this is analogous to if the art student came to me and said, "I never realized how cool the Pythagorean theorem is before. It's amazing." Do I look at him and say, "Wow, you're an idiot"? I would hope not; I would hope to think to myself, "Well, it's a start," and say, "Right?!"
ETA: I'd be calling him an idiot because he's only getting it now, and not back when he learned it for the first time in high school and I realized how cool it was.
I'm sorry, but that's a very naive view of "how it works". The elite art cadre certainly promotes the belief that there's a lot more to art than what you or I personally like. They're the ones that influence, by their status, what students will be indoctrinated in, and what artworks they will be expected to deem good, even as construction workers mistake the "good" stuff for trash. (This has happened before.) Even as the "art" in front of public buildings, under the full endorsement of the art elite, is a blight on the landscape.
If it were just a matter of "enjoy what you like", I'd have the same view as you do. But there is significant money spent indoctrinating students in one view of art -- which unlike science, lacks a stopping-buck. There is the pretense that you have to enjoy Shakespeare, or the latest splotches on a canvas, to "truly" appreciate art. And as long as they promote their priesthood that decides which art is blessed, and gets the huge grants for museums to "study" and promote it, even as they cant substantiate their opinions ... well, then I have a problem.
But why do those things bother you, except in that you don't like being told you're low status unless you jump through certain hoops?
Arts funding with tax dollars is one particularly direct example.
Do I really need to explain why it's bad for people to be wealthy and high status depsite never having produced anything of value, and spend all their time perpetuating what is essentially an information cascade?