lukeprog comments on Conceptual Analysis and Moral Theory - Less Wrong
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Upvoted for thoughtfulness and thoroughness.
I'm using 'definition' in the common sense: "the formal statement of the meaning or significance of a word, phrase, etc." A stipulative definition is a kind of definition "in which a new or currently-existing term is given a specific meaning for the purposes of argument or discussion in a given context."
A conceptual analysis of a term using necessary and sufficient conditions is another type of definition, in the common sense of 'definition' given above. Normally, a conceptual analysis seeks to arrive at a "formal statement of the meaning or significance of a word, phrase, etc." in terms of necessary and sufficient conditions.
Using my dictionary usage of the term 'define', I would speak (in my language) of conceptual analysis as a particular way of defining a term, since the end result of a conceptual analysis is meant to be a "formal statement of the meaning or significance of a word, phrase, etc."
I opened with a debate that everybody knew was silly, and tried to show that it was analagous to popular forms of conceptual analysis. I didn't want to start with a popular example of conceptual analysis because philosophy-familiar people will have been trained not to find those examples silly. I gave at least three examples of actual philosophical analysis in my post (Schroeder on desire, Gettier on knowledge, Jackson on morality).
And I do think my opening offers an accurate example of conceptual analysis. Albert and Barry's arguments about the computer microphone and hypothetical aliens are meant to argue about their intuitive concepts of 'sound', and what set of necessary and sufficient conditions they might converge upon. That's standard conceptual analysis method.
The reason this process looks silly to us (when using a non-standard example like 'sound') is that it is so unproductive. Why think Albert and Barry have the same concept in mind? Words mean slightly different things in different cultures, subcultures, and small communities. We develop different intuitions about their meaning based on divergent life experiences. Our intuitions differ from each other's due to the specifics of unconscious associative learning and attribution substitution heuristics. What is the point of bashing our intuitions about the meaning of terms against each other for thousands of pages, in the hopes that we'll converge on a precise set of necessary and sufficient conditions? Even if we can get Albert and Barry to agree, what happens when Susan wants to use the same term, but has slightly differing intuitions about its meaning? And, let's say we arrive at a messy set of 6 necessary and sufficient conditions for the intuitive meaning of the term. Is that going to be as useful for communication as one we consciously chose because it carved-up thingspace well? I doubt it. The IAU's definition of 'planet' is more useful than the messy 'folk' definition of 'planet'. Folk intuitions about 'planet' evolved over thousands of years and different people have different intuitions which may not always converge. In 2006, the IAU used modern astronomical knowledge to carve up thingspace in a more useful and informed way than our intuitions do.
Vague, intuitively-defined concepts are useful enough for daily conversation in many cases, and wherever they break down due to divergent intuitions and uses, we can just switch to stipulation/tabooing.
Yes. I'm going to argue about facts and anticipations. I've tried to show (a bit) in this post and in this comment about why doing (certain kinds of) conceptual analysis aren't worth it. I'm curious to hear your answers to my many-questions paragraph about the use of conceptual analysis, above.
I've skipped responding to many parts of your comment because I wanted to 'get on the same page' about a few things first. Please re-raise any issues you'd like a response on.
To point people to some additional references on conceptual analysis in philosophy. Audi's (1983, p. 90) "rough characterization" of conceptual analysis is, I think, standard: "Let us simply construe it as an attempt to provide an illuminating set of necessary and sufficient conditions for the (correct) application of a concept."
Or, Ramsey's (1992) take on conceptual analysis: "philosophers propose and reject definitions for a given abstract concept by thinking hard about intuitive instances of the concept and trying to determine what their essential properties might be."
Sandin (2006) gives an example:
This is precisely what Albert and Barry are doing with regard to 'sound'.
Audi (1983). The Applications of Conceptual Analysis. Metaphilosophy 14: 87-106.
Ramsey (1992). Prototypes and Conceptual Analysis. Topoi, 11: 59-70.
Sandin (2006). Has psychology debunked conceptual analysis? Metaphilosophy, 37: 26-33.