In prose, the worst thing one can do with words is surrender to them. When you think of a concrete object, you think wordlessly, and then, if you want to describe the thing you have been visualizing you probably hunt about until you find the exact words that seem to fit it. When you think of something abstract you are more inclined to use words from the start, and unless you make a conscious effort to prevent it, the existing dialect will come rushing in and do the job for you, at the expense of blurring or even changing your meaning. Probably it is better to put off using words as long as possible and get one's meaning as clear as one can through pictures and sensations.
~ Orwell
This is the exact opposite of my experience- I think wordlessly with both abstract and concrete things, and hunting for words might work for the concrete things occasionally, since they are mostly the same, but for almost all abstract things there simply does not exist any word even close to what I want to say, so surrender - the hard kind, accepting defeat and humiliation, like that class scene in MoR - and making do with unbearably clumsy, confusing and muddled metaphor is exactly what I have to learn in every case I don't know the exact mathematical notation to formalize my thoughts.
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