Yeah. This is more or less what I've come to realize.

The story I was working on was originally prompted by an analogy about the weird psychological quirks that afflicted me when I was trying to decide where to donate money. I felt a compulsion to donate to a less efficient charity because it's cause was "almost done," and I wanted to finish it off and get a satisfying "Ding! Achievement" feeling.

This prompted someone to say "that's like ignoring evidence that someone's dying of a gunshot wound, so that you can finish throwing the last few starfish back into the ocean." Which I then felt compelled to try and turn into a rationalist fan-parable.

A lot of pieces of it seem worthwhile, but the work is buckling and straining over the ridiculousness of a young girl and old man trying to do anything about a nearby gunshot. The gunshot itself isn't all that important to the story, but I need something that:

a) is obviously more important than a few starfish
b) time sensitive
c) is plausibly addressable by a young girl and old man
d) the evidence for said bad thing that needs addressing is uncertain.