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4hodmt comments on Firewalling the Optimal from the Rational - Less Wrong
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[veering off topic]
So, since you guys know something about music...
I think I have fairly poor taste in music. Perhaps as a result of growing up listening to NES and SNES-era video game music all the time, I have an inordinate fondness for the sound of MIDI files, which are supposed to be one of those things everyone hates. As a matter of fact, I tend to feel that video game music has gotten notably worse as the technical capabilities of game consoles has gotten better. (I have three hypotheses that could explain this. One is that the music has improved but my taste in music sucks. The second is that voice acting competes with music for players' attention, and that it's no coincidence that the music stopped being as interesting at the same time voice acting became more common. The third is that improvements in technology "freed" composers from having to rely on melodic complexity alone to hold gamers' attention, so melodies have gotten less interesting.)
Anyway, what I'm really asking is, are those old game soundtracks actually any good, or do I just have no taste?
I grew up listening to classical music because of the influence of my parents, and I was heavily involved in the classical music subculture because I shared a house with a music student.
I gradually stopped listening to classic music as I realized I didn't really enjoy it and I merely associated it with high status. Now I almost exclusively listen to chiptunes and 90s electronic dance music. This music is much simpler than music I previously listened to (I also listened to metal and jazz), but I've made a conscious decision to listen to music purely for enjoyment. I now spend far less effort on thinking about music, but I'm equally happy with it, so I think it's a win.
Were you listening to classical music of all periods, or just to "modern" classical music? I personally believe that the latter doesn't cause much pleasure in most people who listen to it, and its (limited) appeal is instead explained largely in terms of self- and public signaling. At the same time, I find that certain works of a few classical composers of earlier periods (such as Bach, Mozart, Chopin, Debussy and Vaughan Williams [click for examples]) induce in me intensely pleasant experiences.
All periods.
I still like some of J. S. Bach's keyboard works (especially as MIDI played with FM synthesis), and some minimalist compositions (Steve Reich etc.).
IIRC, J.S. Bach wrote his keyboard pieces for the harpsichord, which, unlike the modern piano, can't change it's volume based on how the performer presses the keys. MIDI is usually played with a similar constant volume, so the MIDI version may actually be closer to how it was intended to sound than the same piece being played by a concert pianist.
If you are fond of synthesized versions of Bach, you should check out Wendy Carlos's "Switched-On Bach" albums. (Wendy Carlos was formerly Walter Carlos and you might possibly find old copies under that name.)