I've speculated on this in the past. I was reading a book and it mentioned that one of the things used to help autism spectrum people learn social skills is something called Social Stories (TM); read through the article and some of the linked materials or look at Google hits, and tell me that MLP doesn't sound a lot like how one might design a maximally-appealing 'Advanced Social Stories'...
Despite searching on PubMed using iPubMed from UC Irvine and browsing around using "Related Links", I can't find anything about Social Stories and teenagers, young adults, or adults. Someone with journal access can take a look at http://www.ncbi.nlm.nih.gov/pubmed/22284800 to confirm/disprove my suspicion.
The stuff I could find is quite uncertain about how helpful Social Stories are but there are no reports of harm so if a TV show can sneak in Autism Spectrum Disorder treatment, even if it isn't super effective, that's terrific. It can be difficu...
I recently published Mortal, a novella-length My Little Pony fanfiction meant to introduce anti-death concepts to an unfamiliar audience. Short description:
This is a character-driven melodrama. It's not particularly rationalist, but it's very, very transhumanist. Unlike, say, Friendship is Optimal, I wouldn't necessarily recommend this one to people who don't already know the source. It assumes familiarity with the characters and the world.
I am going to talk about how I put together the story and how people reacted to it. This will contain spoilers.
This line exists so you can break out of the automatic "read everything on the page" mode if you want to avoid the spoilers.
This story was structured as something of a bait-and-switch. I watched the reaction to a previous transhumanist horsefic (yes, there's more than one), and I was struck by how easily readers matched the explicitly anti-death narrative to the "immortality is a curse" trope. Rather than fight against this trend, I decided to work with it. The first act is meant to look like a story about learning to accept the inevitability of death. Starting in chapter 3, I break further and further away from that mold until the protagonists finally rebel against the status quo.
The first chapters got a lot of people invested who I suspect would've been turned off by a less familiar opening. Once I was into the third act, I stopped being subtle and used every trick in the book to make the pro-death characters look like the unreasonable ones. Judging by the comments, there's no shortage of readers who were angry at having their expectations flouted, but quite a few seem thoughtful, and some explicitly changed their mind on the subject.