Ah, David Wong. A few movies in the post-9/11 era begin using terrorism and asymmetric warfare as a plot point? Proof that Hollywood no longer favors the underdog. Meanwhile he ignores... Daredevil, Elektra, V for Vendetta, X-Men, Kickass, Punisher, and Captain America, just to name the superhero movies I've seen which buck the trend he references, and within the movies he himself mentions, he intentionally glosses over 90% of the plots in order to make his point "stick." In some cases (James Bond, Sherlock Holmes) he treats the fact that the protagonists win as the proof that they weren't the underdog at all (something which would hold in reality but not in fiction, and a standard which he -doesn't- apply when it suits his purpose, a la his comments about the first three Die Hard movies being about an underdog whereas the most recent movie isn't).

Yeah. Not all that impressed with David Wong. His articles always come across as propaganda, carefully and deliberately choosing what evidence to showcase. And in this case he's deliberately treating the MST3K Mantra as some kind of propaganda-hiding tool? Really?

These movies don't get made because Hollywood billionaires don't want to make movies about underdogs, as he implies - Google "underdog movie", this trope is still a mainstay of movies. They get made because they sell. To the same people consuming movies like The Chronicles of Riddick or The Matrix Trilogy. Movies which revolve around badass underdogs.

(Not that this directly relates to your quote, but I find David Wong to be consistently so deliberate about producing propaganda out of nothing that I cannot take him seriously as a champion of rationality.)