gwern comments on The Classic Literature Workshop - Less Wrong
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I suspect that too much is being read into the Star Wars case here: I'm not convinced it's typical. It felt to me like George Lucas was being given too much of a free hand, and so there wasn't anyone doing that checking, and that the interest was more in the 'event' of new films than their quality.
I also think that this post is more generally a bit muddled. The assumption seems to be that 'old' books are worse but that we hold them to lower standards, and I don't think this is true: it's certainly not demonstrated above. Nor is there any reason to think that LessWrong has a 'unique tool set' for good writing: Eliezer's post is in fact drawing on another writer, not cut from new cloth
As it happens, I'm also in an ambivalent position on HPMOR itself: I love it and find it really enjoyable, but I don't think it's fantastic as literature or in terms of characterisation. I think it uses lots of interesting ideas and is very good at sucker-punch or uplifting set-pieces (it can definitely make me laugh, cry, seethe etc.), but the feel of it is more a series of very effective sketches than a novel. Three Worlds Collide read very much like a very good SF short story to me though.
FWIW, this is pretty much the story that I got from reading (ironically, I've forgotten which) Kaminski's The Secret History of Star Wars or Marcus Hearn's The Cinema of George Lucas: Lucas, for the original trilogy, was able to circulate drafts of the movie scripts among a circle of friends and acquaintances, who would edit and make suggestions and criticize it heavily. This circle had, however, disintegrated by the time the prequels got going, between normal life events, Lucas's divorce, etc.
(As far as Empire Strikes Back goes, you can't give any of the credit to Leigh Brackett; she was dying at the time, and supposedly Lucas wound up ignoring what she managed to finish.)