We recently established a successful Useful Concepts Repository. It got me thinking about all the useless or actively harmful concepts I had carried around for in some cases most of my life before seeing them for what they were. Then it occurred to me that I probably still have some poisonous concepts lurking in my mind, and I thought creating this thread might be one way to discover what they are.
I'll start us off with one simple example: The Bohr model of the atom as it is taught in school is a dangerous thing to keep in your head for too long. I graduated from high school believing that it was basically a correct physical representation of atoms. (And I went to a *good* high school.) Some may say that the Bohr model serves a useful role as a lie-to-children to bridge understanding to the true physics, but if so, why do so many adults still think atoms look like concentric circular orbits of electrons around a nucleus?
There's one hallmark of truly bad concepts: they actively work against correct induction. Thinking in terms of the Bohr model actively prevents you from understanding molecular bonding and, really, everything about how an atom can serve as a functional piece of a real thing like a protein or a diamond.
Bad concepts don't have to be scientific. Religion is held to be a pretty harmful concept around here. There are certain political theories which might qualify, except I expect that one man's harmful political concept is another man's core value system, so as usual we should probably stay away from politics. But I welcome input as fuzzy as common folk advice you receive that turned out to be really costly.
"Harmony" -- specifically the idea of root) progressions -- in music theory. (EDIT: That's "music theory", not "music". The target of my criticism is a particular tradition of theorizing about music, not any body of actual music.)
This is perhaps the worst theory I know of to be currently accepted by a mainstream academic discipline. (Imagine if biologists were Lamarckians, despite Darwin.)
I'm afraid that despite reading a fair chunk of Mathemusicality I've given up on Westergaard's "An Introduction to Tonal Theory" in favor of Steven Laitz's "The Complete Musician". Steven Laitz is a Schenkerian but his book is fairly standard and uses harmony, voice leading and counterpoint.
Actually I'm beginning to conclude that if you want to compose, then starting off by learning music theory of any sort is totally wrongheaded. It is like trying to learn French by memorizing vocabulary and reading books on grammar (which is disturbin... (read more)