Thoughts inspired by Yvain's philosophical role-playing post.
Thomas Nagel produced a famous philosophical thought experiment "What Is It Like to Be A Bat?" In it, he argued that the reductionist understanding of consciousness was insufficient, since there exists beings - bats - that have conscious experiences that humans cannot understand. We cannot know what "it is like to be a bat", and looking reductively at bat brains, bat neurones, or the laws of physics, cannot (allegedly) grant us any understanding of this subjective experience. Therefore there remains an unavoidable subjective component to the problem of consciousness.
I won't address this issue directly (see for instance this, on the closely related subject of qualia), but instead look at the question: suppose someone told us that they actually knew what it was like to be a bat (as well as what it was like to be a human). Call such a being a vampire, for obvious reasons. So if someone claimed they were a vampire, how would we test this?
We can't simply ask them to describe what it's like to be a bat - it's perfectly possible they know what it's like to be a bat, but cannot describe it in human terms (just as we often fail to describe certain types of experiences to those who haven't experienced them). Could we run a sort of Turing test - maybe implant the putative vampire's brain into a bat body, and see how bat-like it behaved? But, as Nagel pointed out, this could be a test of whether they know how to behave like a bat behaves, not whether they know what it's like to be a bat.
I posit that one possible solution is to use the approach laid out in my post "the flawed Turing test". We need to pay attention as to how the "vampire" got their knowledge. If the vampire is a renown expert on bat behaviour and social interactions, who is also interested in sonar and paragliding - then them functioning as a bat is weak evidence as to them actually knowing what it is like to be a bat. But suppose instead that their knowledge comes from another source - maybe the vampire is a renown brain expert, who has grappled with philosophy of mind and spent many years examining the functioning of bat brains. But, crucially, they have never seen a full living bat in the wild or in the lab, they've never watched a natural documentary on bats, they've never even seen a photo of a bat. In that case, if they behave correctly when transplanted into a bat body, then it's strong evidence of them actually understanding what it's like to be a bat.
Similarly, maybe they got their knowledge after a long conversation with another "vampire". We have the recording of the conversation, and it's all about mental states, imagery, emotional descriptions and visualisation exercises - but not about physical descriptions or bat behaviour. In that case, as above, if they can function successfully as a bat, this is evidence of them really "getting it".
In summary, we can say "that person likely knows what it is like to be a bat" if "knowing what it's like to be a bat" is the most likely explanation for what we see. If they behave exactly like a bat when in a bat body, and we know they have no prior experience that teaches them how to behave like a bat (but a lot about the bat's mental states), then we can conclude that it's likely that they genuinely know what it's like to be a bat, and are implementing this knowledge, rather than imitating behaviour.
I once saw a blind kid on TV that had developed a way of clicking with his mouth that he could use it to navigate sidewalks. This was pretty cool and it made me pay attention to my own sense of hearing and wondering what it must be like to use that kind of ability. I payed close attention to situations that it might be possible to hear the place of walls etc. Doing this for sometime it changed my relationship to my hearing.
I became aware when a sound is louder because additional bounces of wave energy hit my ear rather than having only the direct line-of-sight propagation. I picked up the threshold where I hear the primary sound and it's echo as simultanous sound or as two separate sounds. After paying attention to things that I theorethically knew why they would happen I could tap into kinds of "feels" in the sound. My mind somehow clicked and connected geometric forms to the echo timing profile. In understand only discrete sounds conciously but the prolonged direction-changing continous echo that a sloped wall makes I could sense intrisically. And I found out that for example claps are very directional and you can kind of like cast different claping to a wall like you would shine a flashlight.
All in all my sense of hearing became much more like my sense of seeing with good 3D-structure. Experiencing this new way of hearing was very interesting and cool. However once I got settled how to hear like a echolocator I had trouble conceptualising what it is like not to hear like it. My guess is that if you don't pay that much attention a lof information goes unextracted. But it was a big surprise that it wasn't "obvious" how much information a given hearing includes. I didn't gain a better ear. The amount of information I was receiving would have needed to stay same, but I guess I previously couldn't structure them properly.
And I realised that i had atleast two hearing modes even before this new "3D" mode. A mono mode where you can decipher what kind of sound it is and can recognise what causing it with only knowing that it is "nearby within hearing distance" and couldn't be able to face the sound and need to visually look for clues where the sound is coming. Then there is kinda "arrow" mode where you know to look at the direction where the sound is coming from. But it is kinda cool when in "3D" mode I can hear around the corner on what kind of space there is which I can't do in "arrow" mode.
Thinking about how sound waves work it kinda makes sense how the perception changes between "mono" and "arrow mode". If you are in a empty room and make big enough noise there is significant echo going from every direction. Without able to read the timing finestructure it feels like coming from everywhere. However if you in the same kind of room don't make quite as much noise then the component directly going towards you will dominate the echoes. There is also an explanation why the "arrow" isn't a pinpointer but a fuzzy approximation, when you try to read the texture/shape information as location information it will give a slightly contradictory result.
I am using language here where I first feel a certain way and then be puzzled on why it would feel this way and then start theorising in this way. I guess it's worth noting that having more theory won't give you insight in what your experience is. It was kinda mindopening to be able to target those feelings relatively theory-free and then the joy of finding the explanation. For example how sound propagation first felt "waterlike" and only afterwards confirming that that makes perfect sense as the waves are not equal in strength in all directions and do have dampening as they propagate.
I really couldn't confirm that I wasn't just reading too much into what I was supposedly experiencing, that I have just pretended to experience things while only actually wanting to experience them so. But then after I aquired the skill I passively would first pick up sounds and have 3D impressions of them when not actively pursuing to hear anything (and usually be frightened about it) and only then turning to look at them that this was a legit change in perception when the expectations formed by hearing would be confirmed by sight. For example I would drive by a post with a bike and suddenly be very aware of something square on my right, the wheel sounds giving enough echo basis that the post would pop-up against the background a lot more than it visually does. Or driving alleys making a sudden echo chamber on an otherwise echoless street. I also found out that glass sticks out a lot more than other materials (oh there is a large object to my right, oh it's just a window).
For me I have discovered what it is to be like an echolocator which I guess is supposed to be the main alien part in the bat metaphor. There is also a joke on how drugs make you "taste blue" but I have come to experience that and how it makes sense to "see sound". But the behavioural effects of this different kind of experiencing are not that telling or direct. I would not pass the vampire turing test because that isn't to the point, it would need to be refined to be that but it is not trivial how that would be made.
The operation that made me undergo this change seems to be paying attention. It doesn't seem to be that I learned a new fact. Althougth I clearly see that having atheory why I am feeling what I am feeling did have aguiding effect. Maybe call it a imagination aid? I would say it might be a deficiency in understanding and not knowledge that limits people not being able to experience bats. And it is possible for humans to understand what it is to be an echolocator. I would guess that if I had sufficiently clear descriptions on what kinds of "facets" my perceptions include I should be able to play it out how I would experience the situation had I that kind of a sense. So I think it might be possible to imagine seeing 4 primary colors but it takes skill in this "pay attention to your qualia structures" thingy that people are not in general very good at.
How long did it take to build this skill, and how did you do it?