She replied,
The "millions" numbers I had were not public; I had them from screenshots from various writers...Ff.net tallies reads but doesn't--unlike Wattpad or AO3--make them public.
I don't understand what this means. How can she have screenshots of E.L. James's FF.net official view statistics, if FF.net does not make the numbers public? Did James hand them out freely to 'various writers'?
Or, do you/her mean 'I have FF.net statistics from various random other Twilight fanfic authors'? That's interesting, I suppose, but I'm not sure what to make of that.
Yes, maybe the way FF.net tracks page views implies that 1 million page views translates to perhaps 4k complete readers of that fic, and so if we assume 'Master of the Universe' had 1m page views in total and FF.net was the only source for it, then it had 4k complete readers before it was published as the book 50 Shades of Grey. OK, but why would we assume that? The whole point is that it was an amazingly popular breakout best-selling phenomenon practically without precedent, so why would we think its readership was just like the other relatively popular Twilight fanfics (none of which became NYT bestselling books)?
More likely, given re-readings, users who always go in through chapter 1, users who quit halfway through, browser refreshes, etc., perhaps 4,000 readers finished it.
Interesting approach, but I think this is a severe underestimate because you don't take into account censoring, the two alternate sources of readers she had before she published the book, and inferring readership from reviews gives a radically different conclusion.
To quote from one of your links:
I have a copy of it ['Master of the Universe'], but the original has been removed--so it is hard to reconstruct how the community responded to the book. It was released serially, and I believe it had over 37K reviews when it was taken down for its ffnet terms of service violations (they don't allow explicit content, although this rule is widely violated and unenforced). It then moved on to the author's own website. But reviews represent only a fraction in readership--it varies, but maybe only 1 in 10 readers review--but that was spread out over 100 chapters, and people tend to review regularly. Authors themselves can see all these stats, but readers can't.
Master of the Universe also had a post on Twilighted, another big fanfiction site. This site is by application only, and it features lots of interaction with authors. So, the reality is, we'll likely never know for sure how many readers it had--but certainly tens if not hundreds of thousands. It was a huge story.
So there's some problems here: the FF.net data is severely censored by the takedown; the FF.net review data seems to be inconsistent with your estimated total readership (every single reader would have to leave 2 reviews to make 16k readers match 37k reviews!); and it was 1 of 3 sources of traffic.
Actually, the 37k review figure itself seems to be a severe underestimate; http://twilightcupcake.wordpress.com/2010/02/19/fanfic-friday-master-of-the-universe/ is a post from when 'Master of the Universe' was still available on FF.net, and the author comments:
This story has over 40,000 reviews!...Happy reading, it’s on chapter 70 and worth every minute of it.
So, if the story had >100 chapters and it had >40k reviews by chapter 70, then on chapter 100 its review count would look more like >57k than >37k. At 120 chapters, it'd be >69k. (EDIT: apparently it was actually 110 chapters? Close enough, I'm not going to revise all the numbers.)
(It's hard to be more precise as it seems all the relevant sites have been censored from the Internet Archive, and the people with copies apparently didn't bother to dump the raw FF.net pages such as all the reviews.)
How many readers does >69k reviews translate into?
Now, as it happens, I earlier did some FF.net review analysis for MoR; the median user who ever left a review on MoR did so only once (which is consistent with your estimated attrition of ~50% completers) and the mean of reviews per user is 2.7. So that lets me estimate how many reviewers there we, given the total # of reviews, which gives me an estimated number of reviewers being >25.3k (divide by 3).
The rule of thumb seems to be that <10% of readers will ever leave a review (you could probably get a better number with Fimfiction.net analytics but I don't know how well that would compare to Twilight fics on FF.net, especially if, as you say, the more awful the story the more people complete it), so to get total readers I multiply by 10 to get >253k.
Then for complete readers, following your estimated 50% attrition, that's >127k readers - on FF.net.
If the reads on her site and then 'Twilighted' were comparable (and remember, the FF.net figures are heavily right-censored due to the takedown, and it didn't have as much chance to benefit from developing buzz & word of mouth), then multiply by 3 to get >381k complete readers.
And >381k completers is very different from your estimated >4k; it does not tell the story you tell. Given all this, it seems like the title is unwarranted and this does not demonstrate the irrationality and randomness of media markets the same way as experiments like the 2006 study "Experimental Study of Inequality and Unpredictability in an Artificial Cultural Market" and Salganik & Watts 2009 do.
(A good try overall, but you probably should've read your sources more carefully and done a little more homework before trying to use it as a case study of such claims.)
EDIT: see also the comments by a Twilight fanficer excerpted in http://lesswrong.com/lw/kl3/fifty_shades_of_selffulfilling_prophecy/b61d ; particularly note the higher estimate of how many millions of page views top-tier Twilight fics got, the calculated marketing by the author and reuse of the original fans to boost the book, and what the auction revenues imply about number of fans.
Fanfiction writers are writers. That's who the "various writers" are. EL James is a writer.
If the average reader leaves 2.7 comments, and the story had 37,000 comments at the time when people started writing articles about it, I certainly accept 10% of readers leaving comments--the % is lower on most stories--which would indicate 137K readers by that time.
But all that is guess work, whereas it is a fact that that a 70-chapter story with 2 million hits can only have been read in its entirety by at most 28,571 people. That's the theoretical upper l...
The official story: "Fifty Shades of Grey" was a Twilight fan-fiction that had over two million downloads online. The publishing giant Vintage Press saw that number and realized there was a huge, previously-unrealized demand for stories like this. They filed off the Twilight serial numbers, put it in print, marketed it like hell, and now it's sold 60 million copies.
The reality is quite different.
I spoke by email to Anne Jamison, author of "fic: Why Fan-Fiction is Taking Over the World", and the person who originally reported the "over two million hits" that has been widely reported as "over two million downloads". The number two million was much too large to be possible given the size of the fandom, so I asked her about it. She replied,
Fan-fiction is published one chapter at a time. "Fifty Shades of Grey" has 26 chapters, but when it was originally published on fanfiction.net as "Master of the Universe", it had over 100 chapters. Let's say 120.
The number of hits a person generates while reading is determined by how they read it. fanfiction.net adds 1 hit every time any page of the story is reloaded. If you go to chapter 1 and read all the way through to chapter 120 in one sitting, that's 120 hits. If you log in, see it updated, go to chapter 1, and then go from there to the new chapter, that's at least 239 hits to read the book. If you refresh the page, that's another hit. (I just verified this myself by refreshing one chapter of one story of mine 3 times on fanfiction.net, checking the stats before and after.) If you read half of one chapter one day, and log in again and finish it the next, that's at least 2 hits. If you leave it in an open tab on your computer, that's 1 hit every time you open your browser. If you reread the story, the hits double. If you click on the story each day to see if it's updated, hits go way up.
The number of people who finish a multi-chapter fan-fiction is, surprisingly, almost always 40-60% of the number who clicked on the first chapter, with the very best reaching 60%, and the misspelled, grammar-free, plot-free, alphabet-soup-vomit of ten-year-olds retaining about 40%. I've checked this on a large number of stories on fimfiction.net, which records readers per chapter based on username and so avoids double-counting. The quality of a story has very little impact on whether someone who started reading it will finish or not.1
So two million hits on a 120-chapter story means a theoretical maximum of 2000000 / 121 = 16,529 readers finished it, assuming half of all readers quit after chapter 1. More likely, given re-readings, users who always go in through chapter 1, users who quit halfway through, browser refreshes, etc., perhaps 4,000 readers finished it. That would be about as many as finished a pretty popular story on fimfiction.net. The Twilight fandom had a larger fan base, so I don't find that number at all impressive.
So what actually happened was that a moderately-popular fanfiction that had been read by a few thousand people was reported on in a way that misled publishers into thinking that it had millions of readers, when really, it just had an unusually large number of chapters. They put a major marketing campaign behind it. And since 40% of readers will finish anything, absolutely anything, that they have started reading, they sold millions of copies. Just as they would have with almost any book they'd marketed as heavily.
1. This percentage range applies only to stories found by fans through the site itself. The exceptions are not exceptionally good stories, but astonishingly bad stories--89% of readers finished this piece of crap. I think this is because people aren't looking for good stories, they're looking for the sort of thing they want to read. Some people want to read very bad stories, and such stories are easily identified from their descriptions.