I don't have time to re-read the whole book to come up with examples, and there is unhelpfully no index in my copy, but checking through the footnotes quickly, I found exactly two references to actual positivists (or close enough); a quick dismissive paragraph on Ernest Nagel's use of probability theory, and a passing reference to Philipp Frank's biography of Einstein. No references to Reichenbach or Hempel or Carnap. The closest he comes is perhaps the (one) reference to Goodman, who was heavily influenced by Carnap, but Kuhn cites Goodman favorably, while apparently being unaware of how positivist-influenced the ideas he was agreeing with were. There's also a citation of Wittgenstein, which seems vaguely favorable but complains about Wittgenstein's lack of development of an idea, which is surely fair enough; I won't mark anyone down for complaining about that problem in Wittgenstein. But I do have to give low marks for talking so much about "the positivist" while citing only one major positivist philosopher of science (Ernest Nagel) and attributing many views to "the positivist" which are far more simplistic than that positivist would ever have endorsed. Also no references to Duhem. Quine doesn't get mentioned until the postscript, although it's quite plausible that the enthusiasm for Kuhn at the time was part of the same broader phenomenon that turned Quine and Putnam and Goodman into huge stars in philosophy around the same time (all three of those were also to varying degrees prone to denial about the extent of their influence from positivism, but at least they were generally better about citing actual positivists when criticizing them). Maybe he's referring to Comte or Mach? But I saw no references to them at all, and criticizing 19th century figures in 1962 doesn't sound very revolutionary. The most charitable I can be is that there may have been some confused historians of science employing some positivist ideas without understanding them (I don't know much

Not sure. There may be an interaction with whether it's been replied to.

Absolutely. In particular, during high school I often felt much like the song. (I think I could've withstood the schooling itself without too much problem, but the waking up at 6AM and the 3 hours a day on the bus were the straw that pushed me over the edge into unhappiness and apathy.)

It is a rule of thumb in writing that many novels (especially those written by relatively inexperienced writers) will feel tighter and better-paced if one lops off the first two or three chapters. I find it interesting that it also applies to Worm.