gwern comments on Politics and Awful Art - Less Wrong
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My favorite example of something like this is about the Surrealists. They had rather depressing fallings-out and betrayals of friends, mostly because they had different approaches to the relationship between politics and art. Louis Aragon was wholly political; Andre Breton tried to strike a balance between politics and making the kind of art he liked, and he suffered for it. His former friends really screwed him.
The 20th century was in general a very bad time to be an apolitical artist, with everyone adopting the principle 'if you're not my ally, you're my enemy'.
Even mild criticism of prevailing trends could kill your career; I read Robinson Jeffers The Double Axe, which had some very mild isolationist sentiments - but because this was during the fever-pitch of WWII, the publisher included a preface disavowing any responsibility and attacking the poems! Pretty amazing, especially considering that one of Jeffers's main criticisms was all the WWII propaganda, which we now know he was right about, and the reception almost proves his point by itself.
--"Robinson Jeffers: Peace Poet", The American Conservative