"The kind of classic fifties-era first-contact story that Jonathan Swift
might have written, if Jonathan Swift had had a background in game
theory."
-- (Hugo nominee) Peter Watts, "In Praise of Baby-Eating"
Three Worlds Collide is a story I wrote to illustrate some points on naturalistic metaethics and diverse other issues of rational conduct. It grew, as such things do, into a small novella. On publication, it proved widely popular and widely criticized. Be warned that the story, as it wrote itself, ended up containing some profanity and PG-13 content.
- The Baby-Eating Aliens
- War and/or Peace
- The Super Happy People
- Interlude with the Confessor
- Three Worlds Decide
- Normal Ending
- True Ending
- Atonement
PDF version here.
I like fanfic.
I don't, in general, post even constructive criticism on fanfic unless I'm specifically asked to (as a beta reader or something) and even then I will sandwich the con-crit between the most heaping helpings of praise that I can come up with for the work as a whole. The reason for this is that most fanfic writers are motivated by praise. They're not getting paid, after all: the praise is all the reward they get, so the praise had better be good. If I like a piece of fanfic, if I want more of it, I try to provide praise, and the more effusive the better.
I think most fanfic readers intuitively do this, and I worry that EY is taking comments like "HPMOR is the best thing I ever read!!!" literally, when a lot of that sort of stuff is just characteristically enthusiastic fan-feedback. (I'm willing to accept that JohnWittle means it literally, although, seriously? You'd trade Shakespeare and James Joyce--Neil Gaiman and Tolkien and Ursula K. Le Guin--for HPMOR? It's pretty hard for me to wrap my head around that.)
But in general, the reasons that I don't think HPMOR is as good as TWC have to do not with sentence-level construction but with plot momentum, tightness of theme, efficiency/consistency of characterization etc. It's obviously not really "fair" to critique HPMOR on these grounds since we're mostly seeing stuff that EY is posting as he completes, rather than a revised and polished final version, and because HPMOR is huge and rambling while TWC is a short story. But I was impressed that TWC had such focus, consistency, and drive because it's something that I've felt lacking in HPMOR.
I'm speaking generally but that's as critical as I want to get. I really don't want to trash HPMOR--it's just the "best thing in all of literature" comments that make me boggle a little. What I actually wanted to do was praise TWC, which I think is a truly excellent story.
I have absolutely no idea why this is a response to my comment; it seems entirely unrelated.
Just to be clear, I am not defending the quality of HPMoR, and I'm fairly certain I've never done so, though I've recommended it to several friends to whom I think it would appeal... not for the adequacy of its writing, but for the rarity and audience-appropriateness of its themes.