Le Guin is a death worshipper. The major theme of the Earthsea is the folly of the quest for immortality or even survival, and the naturalness of death.
Thankyou. That is the kind of attitude that at times makes me abandon a book in disgust. If I don't identify with the goals or decisions of the protagonist I tend to be either disinterested in or repulsed by the work. I'll avoid the author.
I agree about the deathism of Earthsea. And it has other faults, such as the fourth volume (Tehanu) being her turning against (although not entirely) the misogyny of the whole setup of the first three, and with the zeal of the newly enlightened retconning "men evil, women good" onto it. Always Coming Home is full of fluffy woo.
But she also wrote the short story The Ones Who Walk Away From Omelas, which is worth finding, because it's about a standard utilitarian problem. I'm sure some philosopher posed it in exactly the form in which her story pre...
"The kind of classic fifties-era first-contact story that Jonathan Swift might have written, if Jonathan Swift had had a background in game theory."
-- (Hugo nominee) Peter Watts, "In Praise of Baby-Eating"
Three Worlds Collide is a story I wrote to illustrate some points on naturalistic metaethics and diverse other issues of rational conduct. It grew, as such things do, into a small novella. On publication, it proved widely popular and widely criticized. Be warned that the story, as it wrote itself, ended up containing some profanity and PG-13 content.
PDF version here.