I read the book in high school and loved it. It was my first introduction to the ideas. And there was an unusual extra psychological factor boosting my interest. One of my math teachers, a brilliant, very eccentric guy once saw the book in my hand, and started to shout at me very-very loudly in front of a crowd about how evil this book was. It was a crazy scene. He had a serious problem with reductionism.
This teacher taught us ultrafilters and Löwenheim-Skolem when we were 17, but he also told us that set theory is false. I confronted him: if set theory is false, surely one of the axioms must be false, so which ones does he object to? He told me the whole thing is stupid. This didn't satisfy me, so I kept asking, and finally he said that for example, the pair axiom is false. It tells us that we can put things into pairs without this affecting them in any way. If I was put together into a pair set with a beautiful woman, and I wasn't affected by this, that would mean that I am impotent. Set theory makes mathematics impotent. I didn't completely buy his story on set theory, but it definitely influenced my thinking somewhat. On the other hand, I chose to ignore his outburst against reductionism.
Without revealing my grounds (except that I've known many mathematicians), I would bet at even odds that your high-school math teacher grew up behind the Iron Curtain. Am I right?
Recently I began to write a review of Hofstadter's Godel, Escher, Bach, until I realized that the book defied summary more than all the other books I had previously said "defied summary." Thus, I gave up on reviewing the book after not too long. I present my discarded review below just in case it motivates someone else to pick up this masterful tome and let it enrich their life.
Of Hofstadter's GEB, Eliezer once wrote:
It's easy to see GEB's effect on Eliezer's writing: the "concrete, then abstract" pattern, the koans, the puzzles, the conversational coverage of technical concepts in math and computer science... it's all here in spades in GEB.
What GEB Is
In the preface to the 20th anniversary edition, Hofstadter clarifies what GEB is and is not. It is not about how reality is "a system of interconnected braids." It is not about how "math, art, and music are really all the same thing at their core." Instead, says Hofstadter:
A Musico-Logical Offering
Hofstadter opens with the story of J.S. Bach's Musical Offering for King Frederick, which contains a particular canon that sneakily shifts from one key to another before its apparent conclusion, and when this modulation is repeated 6 times, the piece ends up at the original key but one octave higher. This is our first example of a "Strange Loop":
Other examples occur in the drawings of M.C. Escher, for example this famous one.
The liar's paradox (e.g. "This statement is false") is a one-step Strange Loop. Related to this is a Strange Loop found in the proof for Godel's Incompleteness Theorem, which states, roughly:
Before Godel, Russell and Whitehead tried to banish Strange Loops from set theory in Principia Mathematica. But Godel's theorem showed
The goal of the book is to explain these Strange Loops in more detail, and how they may explain how animate beings arise from inanimate matter.
Meaning and Form in Mathematics
After a tutorial on formal systems, Hofstadter argues that
The vast majority of interpretations for a formal system are meaningless, but if an isomorphism can be found between the formal system and some piece of reality, that isomorphism provides the symbols their "meaning."
But you may discover multiple isomorphisms, and thus the symbols of a formal system may have multiple meanings. It makes no sense to ask, "But which one is the meaning of the string?":
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