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RichardKennaway comments on Open thread, Feb. 16 - Feb. 22, 2015 - Less Wrong Discussion

3 Post author: MrMind 16 February 2015 07:56AM

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Comment author: [deleted] 16 February 2015 01:16:47PM *  1 point [-]

But there are such labels for sound; we label individual frequencies as notes (C, D, E, et cetera), as well as overall profiles of sound (oboe, violin, piano, etc.). We also have words to describe the qualities of arbitrary sounds such as harsh, melodious, twittering, whining, thumping, and many others. I don't think the difference between sight and hearing has to do with splitting up the space into discrete categories, since we do that for both senses.

That brings up an interesting point, though; I can't tell the absolute pitch of a note without some thought (I cheat by comparing it to the note I know I'd make if I hummed completely without tension, which is a B, though I wish I had perfect pitch). So sounds are all relative to each other for most people, which could somehow account for them all sounding alike.

Can anyone with perfect pitch tell us whether they experience notes as being fundamentally different in the way colors usually are?

Comment author: RichardKennaway 16 February 2015 01:55:55PM 4 points [-]

Can anyone with perfect pitch tell us whether they experience notes as being fundamentally different in the way colors usually are?

When I was a child I had perfect pitch, but as I didn't follow a musical career, I've never used it, and I haven't checked whether I can still hear a note and hit exactly the same key on the piano first time. But to me, pitch perceptions form a continuous one-dimensional space. It's more like being able to recognise the length of things. There's no special quality to something being a foot long rather than 11 or 13 inches; it's just recognisably 12 inches long.

Harmonies, on the other hand, are more like colours. There are distinct qualities to major and minor triads etc., and to chord sequences.