Creutzer comments on The mystery of Brahms - Less Wrong Discussion
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I'm not familiar with Schumann. Googling music theory forums indicates he's respected today mainly for his compositions for piano, while his symphonies are held in low regard. I'm now listening to his piano concerto in A minor, finished in 1845. I'm not very familiar with the 1830s or 1840s, but it doesn't sound anything like music from the 1820s or earlier.
I don't think music like this could have been written before Schumann. The piano necessary to play it didn't exist. Some key moments in the development of the piano:
The music forums say Liszt and Ravel's works required the double escapement, and some say Chopin's did, while one argues Chopin's pianos didn't have it. No word on Schumann.
That's true, and these technical developments were crucial for 19th century piano music, but keep in mind that harmonic language and musical form are quite independent from this and are highly relevant domains of innovation and creativity.
In any case, I'm not quite sure what the point is that you're trying to make.