I don't know -- a typical Dark Arts technique would be to carefully select the facts/evidence to present (plus the facts NOT to mention) and this is not a fallacy, this is just a straight-up attempt to mislead.
Simply seeing that there exist facts/evidence that support one side isn't enough to support the conclusion that it's actually right. To get there you have to make the jump "there exists this set of evidence for, therefore it is true", which is fallacious, in general, since sometimes there's more compelling facts/evidence in the other direction and you have to check for those too.
I don't really like the "fallacy" framework itself too much given the whole "logical fallacies as weak Bayesian evidence" thing, but I think there's a...
Recently, James_Miller posted a conversation between Sam Harris and Scott Adams about Donald Trump. James_Miller titled it "a model rationalist disagreement". While I agree that the tone in which the conversation was conducted was helpful, I think Scott Adams is a top practitioner of the Dark Arts. Indeed, he often prides himself on his persuasion ability. To me, he is very far from a model for a rationalist, and he is the kind of figure we rationalists should know how to fight against.
Here are some techniques that Adams uses:
Overall, I think what Adams is doing is wrong. He is an ethical and epistemological relativist: he does not seem to believe in truth or in morality. At the very least, he does not care about what is true and false and what is right and wrong. He exploits his relativism to push his agenda, which is blindingly clear: support Trump.
(Note: I wanted to work on this essay more carefully, and find out all the different ways in which Adams subverts the truth and sound reasoning. I also wanted to cite more clearly the problematic passages from the conversations. But I don't have the time. So I relied on memory and highlighted the Dark Arts moves that struck me immediately. So please, contribute in the comments with your own observations about the Dark Arts involved here.)