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Dark Arts: Defense in Reputational Warfare

1 OrphanWilde 03 December 2015 03:03PM

First, the Dark Arts are, as the name implies, an art, not a science.  Likewise, defending against them is.  An artful attacker can utilize expected defenses against you; if you can be anticipated, you can be defeated.  The rules, therefore, are guidelines.  I'm going to stage the rules in a narrative form; they don't need to be, however, because life doesn't follow a narrative.  The narrative exists to give them context, to give the reader a sense of the purpose of each rule.

Rule #0: Never follow the rules if they would result in a worse outcome.  

 


 

Now, generally, the best defense is to never get attacked in the first place.  Security through obscurity is your first line of defense.  Translations of Sun Tzu vary somewhat, but your ideal form is to be formless, by which I mean, do not be a single point of attack, or defense.  If there's a mob in your vicinity, the ideal place is neither outside it, nor leading it, but a faceless stranger among it.  Even better is to be nowhere near a mob.  This is the fundamental basis of not being targeted; the other two rules derive from this one.

Rule #1: Do not stand out.

 

Sometimes you're picked out.  There's a balancing art with this next piece; you don't want to stand out, to be a point of attack, but if somebody is picking faces, you want to look slightly more dangerous than your neighbor, you want to look like a hard target.  (But not when somebody is looking for hard targets.  Obviously.)

Rule #2: Look like an unattractive target.

 

The third aspect of this is somewhat simpler, and I'll borrow the phrasing from HPMoR:

Rule #3: "I will not go around provoking strong, vicious enemies" - http://hpmor.com/chapter/19

 

The first triplet of rules, by and large, are about -not- being attacked in the first place.  These are starting points; Rule #1, for example, culminates in not existing at all.  You can't attack what doesn't exist.  Rule #1 is the fundamental strategy of Anonymous.  Rule #2 is about encouraging potential attackers to look elsewhere; Rule #1 is passive, and this is the passive-aggressive form of Rule #1.  It's the fundamental strategy of home security - why else do you think security companies put signs in the yard saying the house is protected?  Rule #3 is obvious.  Don't make enemies in the first place, and particularly don't make dangerous enemies.  It has critical importance beyond its obvious nature, however - enemies might not care if they get hurt in the process of hurting you.  That limits your strategies for dealing with them considerably.

 


 

You've messed up the first three rules.  You're under attack.  What now?  Manage the Fight.  Your attacker starts with the home field advantage - they attacked you under the terms they are most comfortable in.  Change the terms, immediately.  Do not concede that advantage.  Like Rule #1, Rule #4 is the basis of your First Response, and Rule #5 and Rule #6.  The simplest approach is the least obvious - immediate surrender, but on your terms.  If you're accused of something, admit to the weakest and least harmful version of that which is true (be specific, and deny as necessary), and say you're aware of your problem and working on improving.  This works regardless of whether there's an audience or not, but works best if there is an audience.

Rule #4: Change the terms of the fight to favor yourself, or disfavor your opponent.

 

Sometimes, the best response to an attack is no response at all.  Is anybody (important) going to take it seriously?  If not, then the very worst thing you can do is to respond, because that validates the attack.  If you do need to respond, respond as lightly as possible; do not respond as if the accusation is serious or matters, because that lends weight to the accusation.  If there's no audience, or a limited audience, responding gives your attacker an opportunity to continue the attack.  If there's a risk of them physically assaulting you, ignoring them is probably a bad idea; a polite non-response is ideal in that situation.  (For crowds that pose a risk of physically assault you... you need more rules than I'm going to write here.)

Rule #5: Use the minimum force necessary to respond.

 

It's tempting to attack back: Don't.  You're going to escalate the situation, and escalation is going to favor the person who is better at this; worse, in a public Dark Arts battle, even the better person is going to take some hits.  Nobody wins.  Instead, mine the battlefield, and make sure your opponent sees you mining the battlefield.  If you're accused of something, suggest that both you and your opponent know the accused thing isn't as uncommon as generally represented.  Hint at shared knowledge.  Make it clear you'll take them out with you.  If they're actually good at this, they'll get the hint.  (This is why it's critically important not to make enemies.  You really, really don't want somebody around who doesn't mind going down with you, and your use of this strategy becomes difficult.)

Rule #6: Make escalation prohibitively costly.

 

You might recognize some elements of martial arts here.  There are similarities, enough that one is useful to the other, but they are not the same.

 


 

You're in a fight, and your opponent is persistent, or you messed up and now things are serious.  What now?  First, continue to Manage the Fight.  Your goal now is to end the fight; the total damage you're going to suffer is a function of both the amplitude of escalation and the length of the fight.  You've failed to manage the amplitude; manage the length.

Rule #7: End fights fast.

 

At this point you've been reasonable and defensive, and that hasn't worked.  Now you need to go on the offensive.  Your defense should be light and easy, continuing to react with the lightest necessary touch, continuing to ignore anything you don't need to react to; your attack should be brutal, and put your opponent on the defensive immediately.  Attack them on the basis of their harassment of you, first, and then build up to any personal attacks you've been holding back on - your goal is to impart a tone of somebody who has been put-upon and had enough.

Rule #8: Hit hard.

 

And immediately stop.  If you've pulled off your counterattack right, they'll offer up defenses.  Just quit the battle.  Do not be tempted by a follow-up attack; you were angry, you vented your anger, you're done.  By not following up on the attack, by not attacking their defenses, you're leaving them no reasonable way to respond.  Any continuing attacks can be safely ignored; they will look completely pathetic going forward.

Rule #9: Recognize when you've won, and stop.

 

Defense follows different rules than attack.  In defense, you aren't trying to inflict wounds, you're trying to avoid them.  Ending the fight quickly is paramount to this.

Shortening the Unshortenable Way

-2 Duk3 26 July 2011 06:44AM

 

or

A Starting Point for Defense against Flexible Dark Artists and Circumstances

 

In On Seeking a Shortening of the Way the assertion “Maybe we're not geniuses because we don't bother paying attention to ordinary things” caught my eye. Certainly! I said. Obviously if we were able to pay the appropriate amount of attention to every occurrence so as to gain enough data to update our models in an optimal way, we would rapidly increase our overall ability to model the world and increase our probability of insights at the level currently considered ‘genius.’

 

                And then I remembered that I can’t really do that, on account of having crappy models of what is actually important, and thinking that i can't improve those models quickly. Whoops! I, like so many others, fail to know how much attention to pay to ordinary things so as to become a genius. C’est la vie. Fortunately the lesson here was not the factuality of the statement, which is high, but a reminder that you could probably gain benefits from paying more attention and being more disciplined in your thought.

                Which is even better because it’s great advice, and eminently doable. Thanks, Yvain! So I set about paying attention to how I currently pay attention and, like usual, paid attention to the cues I get about how other people pay attention, assuming that I make the mistakes they do at least some of the time.

                And then I realized… wait a minute, whenever other people aren’t actually paying attention is when I could most easily shanghai them into doing things they normally wouldn’t do (Were I a dark artist. Hypothetically.). So learning how to pay more attention and pay attention in the correct way is probably the best reflexive method of avoiding being dutch booked by people who are highly adaptable dark artists.

                And here’s my low-hanging fruit of techniques to build the foundational reflexes for shortening the way. The goal is to avoid being inattentive in certain sorts of situations where I noted personal susceptibility to being taken advantage of by changing situations or flexible con artists.

                Summary: Act like Suspicious, Smart, Rich People Do. Assume everyone and everything is both an opportunity and an encounter with a parasite, and don’t act like it unless it’s socially convenient. How do you do this, you say. It sounds more difficult than that, you say. On the contrary, skeptical sir! I will now present an exercise which rapidly becomes reflexive, in a manner which will cause it to become reflexive, which separates the exercise from the situation so that you can learn the requisite acting skills separately! Try this!

Ask yourself for new people , situations, arguments, and facts, what is this worth to me? What risks do I run by paying attention to this? What opportunities lie in this, if my understanding of it is correct? What risks do I run, if my understanding of it is incorrect? And you can go as much deeper as you think is valuable or are mentally capable of sustaining.

                  For the step-by-steppers out there (I salute you!), here’s explicitly How To start doing this in a low-cost way.

Step 1: In your journal for daily events (If you’re not keeping one of these go buy a journal and start. Without a daily log how do you know you’re actually making progress?) use Pen and Paper (The Great Equalizer!) and write down your understanding of a couple of important topics and a few simple topics (the simple topics shouldn’t take as long… right?). This will be a lot of work! But it’s only for one day, and developing this mental habit in particular and your ability to do rational yet seemingly onerous things for a brief period each day will both be massively valuable.

Step 2: When That Gets Boring, elaborate with pros and cons, an analysis of arguments, or other techniques that professionals use when it’s important (Imagine a lawyer not analyzing their opponent’s arguments, and then imagine yourself as their client.).  Do a Fermi calculation (here's some practice) if it involves a number of things you don’t understand well.

Step 3: Avoid abusing this method to convince yourself you don't need to run the numbers by pretending someone else, someone biased,wrote the analysis. (Those darned Biased people, cropping up even in your own journal!) Think of how future versions of yourself will look at your thought processes (you'll be smarter then... wiser... with a knowledge ofcommon logical fallacies and the heuristics and biases literature)(you might even read Godel Escher Bach or something andblow your mind. Anything is possible!). Look over your previous analyses before deciding (sleep on it and wait on it). Developing a decent set of evidence for fermi calculations and calibration exercises will let you use the same thought processes to do this right when you don't have time to run the numbers.

Step 4: Profit.