If I remember well, it's not just "person", but information. I can't use a Time Turner to go 6 hours back to the past, give a piece of paper to someone (or an information to that person), and have that person goes back for 6 more hours.
So while it is an interesting hypothesis, it would require no information to be carried... and isn't the fact that the Stone still exists and works an information in itself ? Or that's nitpicking ?
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It isn't an aggregate pattern in almost anyone's work: it happens in individual cases and adds up. The problem is made all the more severe because it is very clear that Eliezer is aware of all these tropes and issues.
Sure. What about Neville or Draco?
Sometimes. Look at the trope page- there's a large amount of variation on how much of a role they've played prior to fridging. Moreover, Hermione while she did play a role, she also had the least power boost of anyone in the story.
Sure, and obvious way of helping get rid of this sexism is not to reinforce it in stories by using gender as a quick emotional tug.
That's not to say that there were not legitimate reasons to have Hermione be killed, and from a "is this a reasonable thing for Voldemort to try to do" perspective it makes some sense (although it does indicate that he may not understand the importance of martyrs for how people think). But there were many other options, and again, her death wasn't even heroic, she saved zero lives and wasn't even in a position to save lives. When she's explicitly trying to be a heroine out of feminist ideals, and she then gets quickly killed, what does that look like?
I don't think this line of analysis works for determining that a work is sexist. At least, it's not sexist in a problematic way (i.e. we need to get rid of it, or at least be aware of the sexism when reading it), it's sexist because the world we live in is sexist and it's practically impossible to write anythong non-sexist. Does HPMOR do anything to advance the condition of women? No, but neither does it do anything to adress racism, ableism, homophobia and plenty of other societal issues. That's not why the book was written. On the other hand, it has two strong female characters that have agency, and no female "characters" that are boobs on a stick, or a reward for the hero, or anything of the sort. Remember that EY was working from canon and could not exactly add plenty of important characters unheard of in the book. He already promoted Daphne, Tracey and (to a lesser extent) Susan compared to their role in the series (although I guess that's partially to make up for the lack of Ginny or Luna in Harry's first year). If your strongest argument to say a work is sexist in a problematic way is "a secondary female character dies without accomplishing anything", then I feel that's too strong a criteria. Hell, even in "Blue is the warmest color" (the book, not the movie, which was admittedly quite sexist in its direction), the main character dies a stupid death without ever having accomplished anything, and you'd be hard pressed to find that book sexist. In Worm, an important secondary female character is killed in an anti-climatic way by a villain we had almost never heard of until the chapter where he kills her. Is Worm sexist? I don't think so.