I'm not sure the Powers that Be at Hogwarts would allow her to be taken home by her parents...
Do Hermoine's parents even have the right to withdraw her? Harry's parents apparently do not have such a right:
Muggles had around the same legal standing as children or kittens: they were cute, so if you tortured them in public you could get arrested, but they weren’t people. Some reluctant provision had been made for recognizing the parents of Muggleborns as human in a limited sense, but Harry’s adoptive parents did not fall into that legal category (Chapter 26).
Um. Maybe he was experimenting with the powerful magic protection that a mother's love grants her child?
We know that LL loves his mother, but does she love her son? Does she love anyone but Voldemort?
Saved by the Wayback Machine. Thanks. I should have checked the talk page.
Who would win in a fight, Harry Potter-Evans-Verres, or the Harry Potter from Wizard People, Dear Reader?
WPDR Harry could at least drink HPJEV under the table.
This being the 21st century, shall we make it up or look it up?
This is the quote I had in mind, from Chapter 23 of HBP:
‘He [Voldemort] seems to have reserved the process of making Horcruxes for particularly significant deaths. You would certainly have been that. He believed that in killing you, he was destroying the danger the prophecy had outlined. He believed he was making himself invincible. I am sure that he was intending to make his final Horcrux with your death.
‘As we know, he failed. After an interval of some years, however, he used Nagini to kill an old Muggle man, and it might then have occurred to him to turn her into his last Horcrux.
If Dumbledore is right, then Bertha Jorkins could not have been murdered to make that Horcrux, because she was already dead. Is there an interview where Rowling says otherwise? I don't see anything on the wiki page (a citation, or other reference) that backs up their claim.
All the sources I've found indicate the deaths used to create the Horcruxes are Myrtle (diary) - Riddle Sr. (ring) - an unnamed Muggle tramp (locket) - Hepzibah Smith (cup) - an unnamed Albanian peasant (diadem) - Voldemort himself (Harry) - Bertha Jorkins (Nagini), in that order.
I thought that the Nagini horcrux was made via the killing of Frank Bryce. Don't have the book with me to check, though.
You deserve far more karma than what you received, my friend.
By the way, could you link me to the argument expressed here?
RL rkcerffrq chmmyrzrag ng ubj many readers took forever to decide Quirrell = Voldemort
Quirrell's tale of "I played a hero, but it didn't get me political power" doesn't hold up. The "lonely superhero" is just as much a mere storytelling convention as the "zero-casualties superhero". Either Quirrell is leaving something out, or the author is ignoring real-world politics for storytelling convenience.
In real life, successfully fighting societally recognized enemies gets you all kinds of political opportunity. Look at American Presidents Eisenhower, Grant, Taylor, Jackson, Harrison, and Washington. This is true in nondemocracies too: consider the Duke of Wellington, the Duke of Marlborough, or Sir Francis Drake.
What gets you loneliness and isolation is being a pioneer.
In real life, heroes go unrewarded exactly and only when their enemies aren't yet regarded as enemies by the rest of society.
The socially isolating thing isn't fighting Nazis when you're an American, it's fighting Nazis when you're a German. Being a reformer is isolating.
"The lonely superhero" is just as much a mere literary convention as "the zero-casualties superhero".
Of course, "the lonely superhero" reflects an underlying truth. The real bravery we could use more of from people is the bravery to give up status.
So the deeds we see Batman and Superman perform are mere stand-ins for socially brave deeds that make less good stories but matter far more: the scientist defending an unpopular hypothesis, the leader admitting to his followers he doesn't have an answer, the skilled and intelligent person who chooses to work on something that matters instead of something that makes the most money. Those are the real heroes we need, and they really are lonely.
So just as "the zero-casualties superhero" is a literary figure for "we need people who'll take risks for others", the "the lonely superhero" is a literary figure for "we need people who are willing to be mocked for doing what's right".
But within the context of the story, Quirrell's "I fought the villain but got no respect" is nonsense. Humans don't work that way. We have to assume Quirrell is leaving something out.
Did Dumbledore see through him and undermine him politically at every turn?
Alternatively, perhaps Quirrellmort is as bad at mass politics as he is good at individual violence? There's evidence he's got no clue how to handle 'inspiration' as a motive, though he gets 'greed' and 'fear' just fine.
I'm assuming the 'past-Quirrell' that Quirrell tells Hermoine about in Chapter 84 is the 'young man' that Amelia Bones believes is now Quirrell. (Is this reasonable?)
If that's the case, then one way of understanding the situation is this: Riddle assumed two personas---Voldemort and Light Riddle---in order to experiment with different ways of acquiring power. He found that the Voldemort-path was much more preferable on account of the loyalty he could obtain via the Dark Mark. The Dark Mark was so effective that the loyalty he earned as Light Riddle seemed negligible by comparison; thus he complains that he got no help from his 'allies'.
So Riddle retired his Light persona by faking his own death and continued only as Voldemort. Now that he sees Harry as a potential puppet, he wants to ensure that he/Harry have loyalty comparable to that secured with a Dark Mark. He therefore calls for a 'Light Mark' in his speech before Christmas.
EDIT: Of course 'Light Riddle' (if he existed) and Voldemort would have looked different; Minerva remembers Voldemort as snake-like. If the above is right, then Voldemort's disfiguration would have to be a disguise rather than real damage from Dark Rituals.
The Killing Curse is unblockable, unstoppable, and works every single time on anything with a brain.
Not related to the current discussion, but I was always very unsettled by that kind of affirmation.
From both canon and MoR, the Killing Curse looks like missile spell. A bolt of green light flows from the wand to the target, and kills it. But the bolt can't get around material objects, it doesn't go through them, and it doesn't switch directions to avoid them like a seeker missile could do.
It can't be blocked by raw magic (Protego and similar) but what prevents Actio, Wingdarium Leviosa or Free Transfiguration to be used to create a physical barrier to block the spell ?
And going even further, couldn't armor be made to block the spell ? It kills through clothes, but can very thick clothes prevent the effect ? If you make an armor with two layers, physically separated, the outer layer kept from touching the inner layer through electromagnetic forces or magic, would the outer layer count as an obstacle ?
It can't be blocked by raw magic (Protego and similar) but what prevents Actio, Wingdarium Leviosa or Free Transfiguration to be used to create a physical barrier to block the spell?
Nothing. Indeed, Dumbledore blocks the killing curse in canon (Order of the Phoenix) by animating a statue to jump in front of it.
So if AK is in any way unblockable, it is unblockable only by magical means.
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Because the real Hermione was under an invisibility cloak ten feet away. (Not saying this is how it happened, but it does explain that part of the riddle)