Romashka comments on Open thread, Feb. 16 - Feb. 22, 2015 - Less Wrong

3 Post author: MrMind 16 February 2015 07:56AM

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Comment author: Romashka 16 February 2015 07:23:20PM 0 points [-]

If I tell you about a 'dry, purple bass of the highway', what do you feel? What do you imagine? (Sorry if this is irrelevant.)

Comment author: [deleted] 16 February 2015 07:50:54PM 1 point [-]

Initially I think of a dessicated purple fish lying on a desert highway, but that's just because my brain went for what I assume is not the version of "bass" you meant. If I try thinking about it in the intended sense, I see a highway through a purple filter, the purple getting stronger towards the edges of my vision. The image is wavering in time to thumping dubstep. An interesting image, even if it is irrelevant.

Comment author: Romashka 16 February 2015 10:01:07PM *  0 points [-]

Arrgh, that is translation for you. I myself see a highway dipping slightly and then rising and somewhat hazy because of hot air. It's just, have you ever felt that singleness of imagery as a combination of traits, that do not necessary include colour? Does not curved/straight line seem to add more meaning to some descriptions than it strictly should, for example? Here some other (mangled) translations, hopefully showing what I mean (from the poetry of Ондо Линде):

tongue's restive lightning

Speech is a stone shearing the river's ripples, reflection running along rejections

cavernous between-the-lines

plaintains' ballroom skirts

the votive candles' slumber of little birds

etc. It seems to me that there is a perception of objects at rest, objects rushing by and objects caught in a moment of movement, weightless, that can occupy more attention than colour in a description. (Is this what you meant by qualia?)

Comment author: NancyLebovitz 17 February 2015 02:07:21PM 0 points [-]

I think of the sound of cars hissing along the highway, possibly at dusk.

Comment author: Romashka 17 February 2015 05:35:18PM 0 points [-]

And yet it is a single image, is it not?

Comment author: NancyLebovitz 17 February 2015 07:24:52PM 0 points [-]

Yes, though I'm not sure why that's important.

I'm a reader who's relatively willing to cooperate with the writer-- unless I'm sure the writer is speaking nonsense about facts, I'll go with "what might that mean"? When Lovecraft talks about unspeakable horrors, I'll reflexively try to create a (toned down) reaction of unspeakable horror rather than thinking "if you aren't going to describe it, why should I bother scaring myself when you aren't giving me anything to work with?".

Comment author: Romashka 18 February 2015 10:43:46AM 0 points [-]

I was just saying that for me, at least, color is not the only qualia (?) that has an unparalleled vividness, I also have this impression from depth/vastness/enclosedness/... and from stillness/continuing movement/..., and it doesn't have to be activated through vision.