gwern comments on The "Intuitions" Behind "Utilitarianism" - Less Wrong
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There is this habitation called Omelas in which things are pretty swell for everybody except one kid who is kept in lousy conditions; by unspecified mechanism this is necessary for things to be pretty swell for everybody else in Omelas. Residents are told about the kid when they are old enough. Some of them do not approve of the arrangement and emigrate.
Something of this form about your story will do.
There is this city called Acre where things are pretty swell except for this one guy who has a lousy job; by a well-specified mechanism, his job makes him an accessary to murders which preserve the swell conditions. He understands all this and accepts the overwhelmingly valid moral considerations, but still feels guilty - in any human paradise, there will be a flaw.
Since the mechanism is well-specified, can you specify it?
I thought it was pretty clear in the story. It's not easy coming up with analogues to crypto, and there's probably holes in my lock scheme, but good enough for a story.
Please explain it anyway.
(It never goes well for me when I reply to this sort of thing with snark. So I edited away a couple of drafts of snark.)
It's a prediction market where the predictions (that we care about, anyway) are all of the form "I bet X that Y will die on date Z."
Okay, and I imagine this would incentivize assassins, but how is this helping society be pretty swell for most people, and what is the one guy's job exactly? (Can you not bet on the deaths of arbitrary people, only people it is bad to have around? Is the one guy supposed to determine who it's bad to have around or something and only allow bets on those folks? How does he determine that, if so?)
Everything you'd want to know about assassination markets.
Incentive to cooperate? A reduction in the necessity of war, which is by nature an inefficient use of resources? From the story:
Moving on.
Nope, "badness" is determined by the market.
The "merchant of death" diffuses the legal culpability associated with betting on the assassination market. The tension in the narrative comes from him feeling ever so slightly morally culpable for the assassinations, even though he only "causes" them indirectly. Again from the story:
I think I get it. I have worldbuilding disagreements with this but am no longer bewildered. Thank you!
So, I have some questions: how could you actually make money from this? It seems like the idea is that people place bets on the date that they're planning to assassinate the target themselves. So... where's the rest of the money come from, previous failed attempts? I'm not sure that "A whole bunch of guys tried to assassinate the president and got horribly slaughtered for their trouble. That means killing him'd make me rich! Where's my knife?" is a realistic train of thought.
The gamblers collect their winnings; the merchant of death charges a fee, presumably to compensate for the hypothetical legal liability and moral hazard. See the last quote from the story in grandparent.
Or they want someone else to become more motivated to assassinate the target.
It's not, because that's not how the information on how much a certain death is worth propagates. The assassination market needs to be at least semi-publicly observable -- in the story's case, the weight of the money in the named cylinder pulls it down, showing how much money is in the cylinder. If someone wanted a high-risk target, they'd have to offer more money to encourage the market to supply the service.
"Omelas" contrasts the happiness of the citizens with the misery of the child. I couldn't tell from your story that the tradesman felt unusually miserable, nor that the other people of his city felt unusually happy. Nor do I know how this affects your reply to LeGuin, since I can't detect the reply.