I suppose there are a lot of dead Luddites feeling vindicated right now. "We told you so!"
But I really don't think the human race is worse off for the Industrial Revolution. Now the other shoe is about to drop.
If we're wise, we'll let people adapt - as we did with the Industrial Revolution. In the end, that worked out OK. 99% of us used to be farmers, now < 1% are. It turns out there are other things people can be usefully occupied with, beside farming. It was quite impossible to see what those things would be, ahead of time.
Any revolution that increases human productivity - that lets us do more with our 24 hours each day - is in the end a good one.
AI art completely killed my motivation to learn digital drawing. I wonder how long before it eats my desire to write too.
it kinda messes with one's head, doesn't it? I'm not you, but personally I've been getting more and more motivated to learn to draw as I get more and more "full of candy" on AI art. ai art is going to quickly become the autotune of art - it's just fun to be bad at art, IMO. you get to make entirely what you want! and you get to be as bad as it as you feel like!
if anything, AI art has made me value my bad art more - even if it isn't high execution quality, I really really intuitively get now why art is about expressing yourself even when half-assed, and I wish I had a better way to convey this thought than english, because I suspect your reaction to this post is going to be "....and?" - but I hope it helps!
That doesn't resonate with me at all. I hate being bad at things and i'm extremely perfectionistic.
I was able to tolerate being bad at drawing because I knew I would eventually be good, but my goal was always to produce good art. I got into drawing because I had a use for art, not because I enjoyed it for its own sake. (Although I did in fact enjoy drawing, just not enough to keep doing it now that I can get good enough MJ illustrations for my site.)
A lot of low- and mid-ranked artists will have to find different ways to provide value. Same for almost every profession - if you're not performing tasks that require non-trivial understanding of customer desires, and/or generate and require high levels of trust in that understanding and alignment, you're probably going to have limited opportunities.
I'd argue that at least some of the changes are reversion to the historical mean - for all but the last ~60 years, it was impossible for any but a very few to make a living at artistic endeavors, and until the last 25 it wasn't even much of a hobby.
I prefer the coming equilibrium to the previous one - still not many artists getting engagement (or money) from an audience, but now there's a lot more art to enjoy. I somewhat expect editors/curators to go up in value for some time, until AI gets better at personalized creation/selection based on individuals.
I did not write this, but randomly stumbled upon a link to this story on Twitter (I unfortunately cannot find the original tweet). It's written by an individual who is pessimistic about the impact AI-generated art will have on creatives, and I found some of the author's predictions to be thought-provoking (although I do not fully share their views, and am not sure what to make of the second half of the story). Some relevant excerpts:
I find the concrete projection of "AI readers/reviewers-as-a-service" highly plausible, and expect to see something of this sort developed and commercialized fairly soon. The author's insight about there being value in sticking to older platforms to give "authenticity" to bot reviewers strikes me as possible, possibly for the same reason that many popular memes will fake the look of private text messages.
I agree with the author in that I strongly suspect AI to outcompete humans in terms of writing quality, though I don't think that will completely eliminate the market of readers, as some people will expressly only want to read human-written books. The idea of human-readers-for-hire is quite compelling, but what the author ends up describing just sounds like overly-flattering editors, or more generously paid beta readers, which already exist.
What I think this story captures best is the sense of despair/worry that many artists are feeling right now, and that concern is something worth paying attention to. What can be done, if anything, to mitigate these fears?
EDIT: The author also wrote this (nonfiction) article going over some core concerns they have, which I highly recommend reading, if you have the time: https://alexanderwales.com/the-ai-art-apocalypse/