All of Valarie Moses's Comments + Replies

I’m not sure we need another term. Instead, it would be helpful to be precise about human agency versus AI agency. Some of the difficulty with terminology involves how much we tend to obscure the human labor underlying certain processes. It is not, for example, accurate to say that AI can now design cities. This kind of phrasing gives AI agency, and even anthropomorphizes it. It is more accurate to say city planners can now use a machine learning system to analyse survey data about which street designs are the safest and so on… If we could be more precise about what is going on with our systems and give humans their just due, then some of this confusion (and fear that the robots are taking over) would die down.

4Seth Herd
I'm also not sure we need a new term. But spelling out exactly what you mean in every statement gets cumbersome. I hate jargon, but there's a reason for new terms for new concepts. The issue I care about isn't what AGI can do now; it's what it can and will do in the future. If it keeps helping people design things, with no agency (goals) of its own, that's great. It could go wrong, but that's a subtle argument. My point is that we need a term to distinguish AI that just gives answers, like "how could this city be designed better", from AI with goals like "design a better city". That kind is the one we're really worried about. Because designing the very best city implies using the most compute to do it, and getting the most compute might also imply keeping humans from interfering with your plans. If we could ensure that AGI never has its own goals, I think most of the confusion and fear would and should die down. As it is, we're mixing important concerns about agentic AGI with less clear and less terrifying concerns about non-agentic, tool or "oracle" AGI.

“I'd argue that, just by knowing that a play is by Shakespeare, we assume that it's deep and meaningful, and read in deeper interpretations and symbolism than we would otherwise.”

I largely agree, but there are some Shakespeare plays that are just not that deep or meaningful—Romeo and Juliet, for example. I think Shakespeare knew he was writing about some silly teenagers, but contemporary readers invest their relationship with more profundity than the play warrants. And, just to be a bit more nuanced, I read his plays for their superior wordplay and less for the deep interpretations that literary critics lay on top of them.