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A list of some posts that are pretty awesome
I recommend the major sequences to everybody, but I realize how daunting they look at first. So for purposes of immediate gratification, the following posts are particularly interesting/illuminating/provocative and don't require any previous reading:
- Your Intuitions are Not Magic
- The Apologist and the Revolutionary
- How to Convince Me that 2 + 2 = 3
- Lawful Uncertainty
- The Planning Fallacy
- Scope Insensitivity
- The Allais Paradox (with two followups)
- We Change Our Minds Less Often Than We Think
- The Least Convenient Possible World
- The Third Alternative
- The Domain of Your Utility Function
- Newcomb's Problem and Regret of Rationality
- The True Prisoner's Dilemma
- The Tragedy of Group Selectionism
- Policy Debates Should Not Appear One-Sided
- That Alien Message
More suggestions are welcome! Or just check out the top-rated posts from the history of Less Wrong. Most posts at +50 or more are well worth your time.
Welcome to Less Wrong, and we look forward to hearing from you throughout the site.
I agree that it was a sweet movie, and overall I enjoyed watching it. The above critique is a lot harsher than my overall impression. But when I heard that Pixar was making their first movie with a female lead, I expected a lot out of them and thought they were going to try for something really exceptional in both character and message, and it ended up undershooting my expectations on those counts.
I can sympathize with the extent to which simply having competent important female characters with relatable goals is a huge step forward for a lot of works. Ironically, I don't think I really grasped how frustrating the lack of them must be until I started encountering works which are supposed to be some sort of wish fulfillment for guys. There are numerous anime and manga, particularly harem series, which are full of female characters graced with various flavors of awesomeness, without any significant male protagonists other than the lead who's a total loser, and I find it infuriating when the closest thing I have to a proxy in the story is such a lousy and overshadowed character. It wasn't until I started encountering works like those that it hit me how painful it must be to be hard pressed to find stories that aren't like that on some level.
One thing that disappointed me about this whole story was that it was the one and only Pixar movie that was set in the past. Pixar has always been about sci fi, not fantasy, and its works have been set in contemporary America (with Magic Realism), alternate universes, or the future. Did "female protagonist" pattern-match so strongly with "rebellious medieval princess" that even Pixar didn't do anything really unusual with it?
Even though I was happy Merida wasn't rebelling because of love, it seems like they stuck with the standard old-... (read more)