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Don't worry, this sequence of increasingly annoying posts is almost over. But I think it's desirable that we try to establish, once and for all, how people here think color works, and whether they even think it exists.
The way I see it, there is a mental block at work. An obvious fact is being denied or evaded, because the conclusions are unpalatable. The obvious fact is that physics as we know it does not contain the colors that we see. By "physics" I don't just mean the entities that physicists talk about, I also mean anything that you can make out of them. I would encourage anyone who thinks they know what I mean, and who agrees with me on this point, to speak up and make it known that they agree. I don't mind being alone in this opinion, if that's how it is, but I think it's desirable to get some idea of whether LessWrong is genuinely 100% against the proposition.
Just so we're all on the same wavelength, I'll point to a specific example of color. Up at the top of this web page, the word "Less" appears. It's green. So, there is an example of a colored entity, right in front of anyone reading this page.
My thesis is that if you take a lot of point-particles, with no property except their location, and arrange them any way you want, there won't be anything that's green like that; and that the same applies for any physical theory with an ontology that doesn't explicitly include color. To me, this is just mindbogglingly obvious, like the fact that you can't get a letter by adding numbers.
At this point people start talking about neurons and gensyms and concept maps. The greenness isn't in the physical object, "computer screen", it's in the brain's response to the stimulus provided by light from the computer screen entering the eye.
My response is simple. Try to fix in your mind what the physical reality must be, behind your favorite neuro-cognitive explanation of greenness. Presumably it's something like "a whole lot of neurons, firing in a particular way". Try to imagine what that is physically, in terms of atoms. Imagine some vast molecular tinker-toy structures, shaped into a cluster of neurons, with traveling waves of ions crossing axonal membranes. Large numbers of atoms arranged in space, a few of them executing motions which are relevant for the information processing. Do you have that in your mind's eye? Now look up again at that word "Less", and remind yourself that according to your theory, the green shape that you are seeing is the same thing as some aspect of all those billions of colorless atoms in motion.
If your theory still makes sense to you, then please tell us in comments what aspect of the atoms in motion is actually green.
I only see three options. Deny that anything is actually green; become a dualist; or (supervillain voice) join me, and together, we can make a new ontology.
I can compare the colour of a surface to the colour of a standardised colour chip, which is as objective as, say, measuring something using a ruler. Colours may not participate in any phenomena found in the physical scientist's laboratory, but they do participate in the behaviour of organisms found in the psychologist's laboratory. So I fail to see a problem here.
Indirect realism requires two mechanisms for veridical and non-veridical perception, the same as direct realism: one for when an object is seen and one for when it isn't. Direct realism is more parsimonious because it doesn't needlessly posit an intervening representation or image in either case.
This isn't my motivation so I won't address it.
See above.
I disagree that direct realism more easily applies to sight. Direct realism is the best account of the phenomenology of all perception. I feel the texture of an object. I hear events, not objects, of course. Water dropping, pans crashing, musical instruments being player, a person talking, etc. I smell fresh bread, then I taste it. What I do not do is see, hear, touch, taste or smell intervening representations or images. So I'm not sure how indirect realism could more easily apply to these things. Pains, on the other hand, aren't perceived, they're had. Nobody would claim a pain is in the object causing me pain. (I'll address aesthetic response below.)
All perception puts us in contact with the world. I'm not sure what you're saying here.
I've already addressed this. A bee, dog, martian, etc, would be able to perceive different aspects of the same object. That doesn't mean the object has to somehow "generate" those properties for each organism. It has them. Bees can perceive a subset, dogs a different subset, martians another subset.
Direct realists are not committed to the idea that everything is in the environment, as if we were somehow taking things that don't rightfully belong to the environment and arbitrarily resettling them there. Reactions to things are had by the organism. Taste and smell are implicated in ingesting foreign objects and are obviously more closely allied with specific reactions in the organism because of this.
The very idea of perceiving something other than the world implies that there is something other than the world to be perceived. You can say it's a representation or image or model or whatever, and then try to butcher those terms into making sense, but at some point you've got to light it all up with "qualia" or "consciousness" or some other quasi-mystical notion. Nobody has figured this out, but even if they did, there still wouldn't be any good reasons to be an indirect realist.
Direct realism doesn't claim that objects have dog-qualia and human-qualia and bee-qualia instead of dog-brains having dog-qualia, etc, as you seem to think. Direct realism denies that there are qualia at all. Objects have coloured surfaces. Note that if there were qualia those qualia would have to be coloured in some sense, so you're missing something from your supposedly parsimonious account.
The best argument for direct realism is that it's phenomenologically accurate. The biggest flaw of indirect realism is that it's committed to some sort of mysticism, regardless of how your dress it up. You can move the problem around, call it "qualia" or "consciousness" or whatever, but it never goes away. It's a picture show in the mind or brain, and that's silly.
Not quite. Colour is a three-dimensional subspace of the infinite-dimensional space of possible light spectra, but which subspace it is depends on the spectral sensitivities of your cone cells. OTOH I do think that the cone cells of the supermajority of all humans use the exact same molecules as photoreceptors, but I'm not quite sure of that.