This is a new thread to discuss Eliezer Yudkowsky’s Harry Potter and the Methods of Rationality and anything related to it. This thread is intended for discussing chapter 97. The previous thread is at nearly 500 comments.
There is now a site dedicated to the story at hpmor.com, which is now the place to go to find the authors notes and all sorts of other goodies. AdeleneDawner has kept an archive of Author’s Notes. (This goes up to the notes for chapter 76, and is now not updating. The authors notes from chapter 77 onwards are on hpmor.com.)
The first 5 discussion threads are on the main page under the harry_potter tag. Threads 6 and on (including this one) are in the discussion section using its separate tag system.
Also: 1, 2, 3, 4, 5, 6, 7, 8, 9, 10, 11, 12, 13, 14, 15, 16, 17, 18, 19, 20, 21, 22, 23, 24, 25.
Spoiler Warning: this thread is full of spoilers. With few exceptions, spoilers for MOR and canon are fair game to post, without warning or rot13. More specifically:
You do not need to rot13 anything about HP:MoR or the original Harry Potter series unless you are posting insider information from Eliezer Yudkowsky which is not supposed to be publicly available (which includes public statements by Eliezer that have been retracted).
If there is evidence for X in MOR and/or canon then it’s fine to post about X without rot13, even if you also have heard privately from Eliezer that X is true. But you should not post that “Eliezer said X is true” unless you use rot13.
I think you misunderstood. I wasn't claiming to be offended myself, I was trying to get at the cause of people's emotional reactions. Whether or not you believe those emotions are justified, they are almost always triggered by something.
I also specified that HPMOR values wit and scheming on its surface - that is, the scheming is what provides almost all the entertainment value and keeps people in their chairs long enough to hear the deeper ideology. What do we want from characters in a story at their most basic level? We want to have fun watching them. That's why most people read stories, and it's why most people read HPMOR. And the ones who are the most fun to watch are the male characters.
I didn't claim this was intentional, nor that it was wrong, just that it was probably the cause of feminist complaints. It was in part an answer to "But the female characters are good people". Being a good person is not always the same as being good in the story. In Disney movies, you have to be a wide-eyed dreamer. In Tarantino movies you have to be a stone-cold killing machine. In HPMOR (and Death Note) you have to be a hyperintelligent byzantine plotter. And then comes the ideology.